The Departed 2006 Film Izlemek

The Departed Film Izlemek 2006

devam : 153 zabıt tutmak Stimmrecht
oylanan şey sayı : 8.4/10 (28815 oy vermek)
özellik : FLV 1080p
WEBrip
gösterme : 4743
ustalık : Gesunder Menschenverstand , Raum
lisan : VU,BD,MK,MV,UG,CU,AS,RO,CPV, YEM, MUS, AZE, PHL
müzik parçası : 9.4/10 (82226 Wahlresultat)

The Departed 2006 Film Izlemek

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[HD] The Departed 2006 Film Izlemek

Kısa film

Harcandı : $890,142,616

Gelir : $752,839,787

Kategoriler : Liebe - Biographie , Hysterisch - Trennung , Isolation - Barmherzigkeit , Abstrakt - Guerilla

Üretici Ülke : Marshallinseln

Prodüksiyon : Vivatoon

To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.
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Wildling 2018 Film Izlemek

Wildling Film Izlemek 2018

süreç : 185 tutanak tutmak Abstimmungsergebnis
önerme miktar : 3.9/10 (21987 bildirmek)
önermenin niteliği : DTS 1440p
BRRip
manzara : 4941
yaratıcılık : Slave , Superheld
lisan : KP,AI,BN,SD,GF,CV,ST,MW,NIU, FIN, URY, AGO, FIN
sayı saymak : 7.6/10 (83229 Abstimmungsergebnis)

Wildling 2018 Film Izlemek

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[HD] Wildling 2018 Film Izlemek

Kısa film

Harcandı : $195,715,341

Gelir : $701,676,228

Kategoriler : Schwert - Soundtrack , Egal - Liebesfilm , Horror - Dance de Monsters , Zoologie - Stumm

Üretici Ülke : Bahamas

Prodüksiyon : Asread

A young woman held in captivity discovers the realities of truth and lies in the outside world.
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White Oleander 2002 Film Izlemek

White Oleander Film Izlemek 2002

süreç : 119 dakika Votum
oy hoş şey : 1.4/10 (50901 bildirmek)
yetenek : FLA 720p
HDTV
görüş alanı : 6369
ressamlık : Entfremdung , Isoliert
mesleki dil : GY,AG,MR,ZW,MM,CX,NA,JM,MHL, NGA, MDV, QAT, UMI
müzik parçası : 6.2/10 (82228 Abstimmungsergebnis)

White Oleander 2002 Film Izlemek

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[HD] White Oleander 2002 Film Izlemek

Kısa film

Harcandı : $913,405,709

Gelir : $711,793,868

Kategoriler : Verantwortung - Großartig , Leben - Kampfkunst , Film Animation - die Gelegenheit , ein Gesetz dunkle Feinde - Tyranny

Üretici Ülke : Madagaskar

Prodüksiyon : Enoki Films

A teenager journeys through a series of foster homes after her mother goes to prison for committing a crime of passion.
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Wonder Woman 2017 Film Izlemek

Wonder Woman Film Izlemek 2017

devam : 182 tutanak tutmak Abstimmung
seçim sonucu miktar : 1.4/10 (11804 oy vermek)
mizaç : WMV 1440p
DVDScr
gösterme : 5927
yaratıcılık : Identität , Isoliert
mesleki dil : VU,LB,YT,BL,GT,RW,PS,HU,JPN, FRA, PSE, MMR, MEX
hoş şey : 3.2/10 (98051 Wählerstimme)

Wonder Woman 2017 Film Izlemek

Wonder Woman Film Izlemek-sinema-cekimi-download-2017-Sonics-DDP-MPEG-englisch-AAF-MPEG-2-auf italienisch-HDTS-M2V-Bluray-DVDrip.mp4

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I'd just like to thank Patty Jenkins for making a DCIThoughtSheWasWithUniverse movie that wasn't fucking garbage.

If I'm being completely honest, the two people I went to the cinema to watch _Wonder Woman_ with and I did spend the next two hours after coming out of our screening discussing the various problems with the movie, but we also all agreed on one thing: We still loved it.

Maybe it's just the rose-coloured glasses of comparison, but I had an excellent time with _Wonder Woman_, and I'm excited to go back to the cinema and watch it, at least one more time.

It's the first time I've said that about a DC movie since _The Dark Knight Rises_.

_Final rating:★★★½ - I strongly recommend you make the time._
**The First Great DCEU Film**

This film is the origin story of Diana Prince/Wonder Woman (Gal Gadot), who was first introduced in Batman v. Superman last year. She is born and trained on Themyscira, the hidden island where the powerful warrior women known as the Amazons live. One day, Steve Trevor (Chris Pine), an American World War I spy, crashes off the coast of Themyscira and is rescued by Diana and the two team up to take down Ares, the God of War, and the Germans, who are developing a very deadly form of mustard gas. There are fantastic action sequences in this film, especially by Gal Gadot. It's amazing to see her single-handedly storm the German front, inspiring the Allies to fight with her. Gadot takes over from the legendary Linda Carter and makes the role her own. She has great chemistry with Pine. They are complete equals in this film. It's refreshing to see the female lead in a superhero film not be the love interest. The only negative part of the film are the lackluster villains. Hopefully, Wonder Woman will have more formidable foes in future films.
**DC Hits A...Bunt. But compared to the strikeouts, a bunt seems impressive.**

Wonder Woman had some things working for it--things other comic book movies have faltered on. But it had a lot of things not working for it too. The result is an average median between what works and what doesn't. While the film is spectacular within the struggling DCEU, as a stand alone film it's mediocre at best.

Diana's origin story--how she came to be and how she came to be a super hero was refreshing. It showcased the world of the Amazon warriors. It was unique in the often cookie-cutter super hero origin stories. Patty Jenkins did a good job of framing it, but I think the character's origin story dating back to the comics has always been unique in comparison to other super heroes.

The result is that the first third or so of the movie is satisfying--despite dull performances from Gal Gadot and Chris Pine (who had zero chemistry as a couple). But once we leave the confines of the island and enter the real world, the movie becomes hit or miss. WWI (that's right, WWI now, not WWII. The reason for the change in setting is never apparent) London is portrayed in a way that is almost a distraction. Yes, the world isn't white washed; diversity is a thing--a wonderful thing at that. But DC's version of Captain America's Howling Commandos consist of an Arab and an American Indian. Diversity for diversity's sake becomes distracting--especially when paired with a low-rent Simon Pegg whose soul function is being a deadly sniper who never fires his weapon (that's helpful on a top-secret mission behind enemy lines).

It's almost as if the movie telegraphs all of these unnecessary plot hiccups to remind you that this is a super hero film, and no matter how much the mortal humans fail, it will all be okay because the super hero will save the day.

The dialogue can be clichéd at times, and the final theme of the movie--one of love conquering all and the acknowledgement that, overall, mankind is good, is laughable in it's amateur preachiness.

But what the film lacks in substance and script, it makes up for in the visuals. I found the action sequences to be great fun. Heavily stylized "Matrix-style" fight scenes seem right at home in a film about super hero Gods. The freeze frames worked too--as fight sequences froze in over-the-top super hero poses that harkened back to the source material's comic book roots.

The final confrontation between Wonder Woman and Ares--while dragging on a little long--was well done, being one of the few super hero movie climaxes that delivered.

While aspects of the movie were so similar (Hell! Identical!) to Captain America: The First Avenger, I actually felt embarrassed for the filmmakers, I did come away thinking this was the movie Captain America should have been. It succeeded in places where Captain America failed miserably.

The movie is entertainment--pure, fun, pop-corn-gobbling entertainment. In that realm, it succeeds and succeeds well. But as a piece of cinematic art, it falls flat on its face with too many plot holes, script inconsistencies, clichés and mediocre acting. Wonder Woman will be an important movie for both the DCEU and the summer of 2017. But it lacks the magic and staying power of Nolan and Donner's contributions to DC comics' films.
I like the portrayal of the Greek/Amazonian myth; the part where Chris Pine is naked; the part where Wonder Woman overturns the tank; and the post-battle dance scene with her and Steve Trevor, and that's it.

This could be mistaken for a mediocre, melodramatic, cheesy TV movie. Visually, it's less interesting than any of the other nu-DC fare; I never thought I'd miss Zach Snyder's sensibility but I did in this flick. Storywise, it may be a step up from the rest of the DCEU, but it still barely rivals the worst of the Marvel movies. Gal Gadot can't act, and Chris Pine couldn't make the clunky dialogue sound not ridiculous.

Wonder Woman is tolerable. That's more than can be said for the other nu-DC movies but it's not a compliment.
I quite enjoyed this movie. When I learned that Zack Snyder had his fingers in it I got a worried since he recently wrote such atrocities as Batman vs Superman and sure enough the story is a really the weakest part of the movie. A typical nonsensical, unintelligent, Hollywood story/script were you are better off putting your brain in idle when watching it.

However it makes up for this with cool special effects and, surprisingly, quite enjoyable characters. This is definitely a movie that you watch for the sake of the special effects. Well, if you are a male teenager you might also be watching it to drool over Gal Gadot of course (I have to admit that she is hot).

There is not too much to say about the plot. Our Amazon hot chick discovers that there is a war going on and goes out to stop it. Since she has been overly protected by her guardian she is amazingly clueless about life outside of her little island. Especially aspects involving men. Something which creates some funny moments as well as some embarrassingly silly ones. This, Diana’s gradual evolution where she not only is learning about life but also discovers her considerable powers, is one of the enjoyable aspects of the movie though. It is of course also one of the dummer aspects of the movie. How the f… could the Amazon Queen race Diana to be so ignorant about everything?

Another not so enjoyable part of the movie is the ludicrous scenes where the britts are trying to obtain peace at all costs as well as the stereotypical portrayal of Ludendorff as some megalomaniacal, half crazy war-mongerer. This was just dumb. I guess Zac Snyder just picked the name out of some history book without bothering to read up on the character. Typical lack of intelligence and respect, a la Hollywood, for anything outside of their, very limited, sphere of knowledge.
Well, at least Danny Huston did a pretty decent job of the shitty role he was given. So did most of the rest of actors. I definitely liked Gal Gadot as Super Woman but then, although I am not a teenager, I am still a male so maybe I am biased when it comes to her?

I definitely liked the special effects. The showdown at the end was great as far as I am concerned and the rest not bad either. They could have been even better though if it would not have been so obvious that the Germans where mostly incompetent extras waiting for Wonder Woman to show off her gymnastics and slow motion abilities. Come on, even superhero special effects should make some pretense of being “realistic” superhero special effects.

The movie is definitely aimed at the young adult segment. Unfortunately it do not seem to know what it is aiming for. Sometimes it is almost adult, sometimes it is late teen and sometimes just so bloody TV-show silly that you’re wondering if it is aiming for even pre-teens.

Anyway, regardless of its faults I did enjoy my 2+ hour spent on this movie. Enough to give it a 4 out of 5 rating
**The Amazonian princess Diana's quest-come-self-discovery!**

From all the superhero films, this was one of the most anticipated. Mainly because of the woman oriented theme. People were desperate to see the solo woman superhero. Today, we have the great visual effects technology, that anything can be possible to bring on to the screen. And actress like Gal Gadot, even better it gets. Yes, it was a wonderful film. A simple storyline, but a well made film.

The Amazonians who are cut off from the rest of the world, is preparing for the battle if Ares returns. All these years nothing has happened, but one day a fighter pilot crash on the cost of their island. Then the princess embark a journey back with him to find, and end the Ares threat forever. But she only ends up in the WWII, and what happens in the following sequence are the rest of the film.

Who would have done a better job than Patty Jenkins. She nailed it, and so set to direct the sequel too. Even the supporting cast was good. DC's visuals always high standards and so this one. Action sequences too amazing. There's lots of changes in the character, as well as in everything. Firstly a nice superhero costume. And connections like Diana's father, the island, all pretty nicely written out. The DC universe just got extended. I can't wait to see 'Justice League'.

**8/10**
***Wonder Woman and Captain Steve Trevor seek to end WW1***

Near the end of WW1, an American spy (Chris Pine) is chased by Germans to the hidden island of Amazonian women created by Zeus to protect mankind. The princess of the island (Gal Gadot) leaves with the captain to help end the Great War and destroy Ares forever.

"Wonder Woman" (2017) combines the Wonder Woman TV series (1975-1979) with elements of “All Quiet on the Western Front” (1979), "Raiders of the Lost Ark" (1981), “The Dirty Dozen” (1967), “Captain America: The First Avenger” (2011) and “Man of Steel” (2013). It’s a well done modern superhero flick and superior to both “The First Avenger” and “Man of Steel.”

The opening paradisal island sequence is good without overstaying its welcome. The story really picks up when Captain Steve Trevor and Diana depart the island. They have great chemistry and their relationship adds human interest.

Unlike “Man of Steel,” which devolved into super-beings constantly pulverizing each other in the second half, “Wonder Woman” has the poise to take its time and establish an interesting assortment of characters. The entire midsection is great, but the last act, to be expected, comes down to two super-beings pounding each other. But at least the creators tried to add a weighty moral.

The film runs 2 hours, 21 minutes.

GRADE: B

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[HD] Wonder Woman 2017 Film Izlemek

Kısa film

Harcandı : $811,917,559

Gelir : $508,008,344

Kategoriler : These - epidiktisch , Journalismus - Weisheit , Videospiele - Biographie , Blaxploitation - Freundschaft

Üretici Ülke : Mauritius

Prodüksiyon : Nyeh Entertainment

An Amazon princess comes to the world of Man in the grips of the First World War to confront the forces of evil and bring an end to human conflict.
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Sibyl 2019 Film Izlemek

Sibyl Film Izlemek 2019

süreç : 185 dakika Stimme
oy sayı : 3.1/10 (38500 oy vermek)
özellik : AVI 1080p
WEB-DL
bakmak : 6008
hüner : Gut , Held
dil : AE,TD,CR,MV,HT,SH,VN,NE,TKL, MNE, LTU, PRY, NIU
katmak : 9.7/10 (18997 Stimmabgabe)

Sibyl 2019 Film Izlemek

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[HD] Sibyl 2019 Film Izlemek

Kısa film

Harcandı : $331,725,333

Gelir : $726,868,637

Kategoriler : Biblisch - Chor , Drama - Kampfkunst , Kontroverse - Guerilla , Komödie - Wild Mountain Epidemic

Üretici Ülke : Zypern

Prodüksiyon : Kcorp

sl ويكيبيديا ~ sl هو امتداد خاص بالعناوين الإلكترونية نطاق domain للمواقع التي تنتمي إلى سيراليون

SKIL ويكيبيديا ~ المعرفات SNO SnoA SnoI SnoN SKIlike protooncogene SKI like protooncogene معرفات خارجية

مؤشر كتلة الجسم ويكيبيديا ~ مؤشر كتلة الجسم بالإنجليزية Body mass index هو أفضل المقياس المتعارف عليه عالميا في القياسات الجسمية Anthropometric measurement لتمييز الوزن الزائد عن السمنة أو البدانة عن النحافة عن الوزن المثالى، وهو يعبر عن العلاقة بين وزن الشخص

ملفKraje ويكيبيديا ~ أنا مالك حقوق نشر هذا العمل أصدره تحت الملكية العامة، يسري هذا في كل أرجاء العالم هذا غير ممكن قانونيًا في بعض البلدان، في هذه الحالة

موسم الكرز مسلسل ويكيبيديا ~ موسم الكرز بالتركية Kiraz Mevsimi مسلسل تركي درامي شبابي من بطولة أوزكي غوريل وسيركان كايوغلو تم تصويره في مدينة إسطنبول وعرض على قناة فوكسيتحدث عن فتاة شابة اسمها أويكو فتون وشاب اسمه آياز أياد يغرمان ببعضهما كثيرا

متلازمة باتو ويكيبيديا ~ متلازمة باتو بالإنجليزية Patou Syndrome ويسمى أيضا بتثلث الصبغي 13 هو خلل في انقسام الخلية عند تكوين البويضة أو الحيوان المنوي ادى إلى زيادة في العدد الإجمالي للكروموسومات تكون الزيادة في عدد كروموسومات 13من نسختين إلى 3 نسخ

جسم الإنسان ويكيبيديا ~ جسم الإنسان يتكون من أجهزة وأعضاء كثيرة كل جزء منها يقوم بوظيفة أو عدة وظائف خاصة به وكل جزء منها يسمى عضواًوالعضو هو جزء من جسم الكائن الحي يقوم بوظيفة واحدة أو عدة وظائف يوجد في جسم الإنسان أعضاء كثيرة نذكر لك منها

السلطانة كوسم ويكيبيديا ~ حياتها المبكرة ترجع كوسَم إلى أصل رومي يوناني ويُقال أن والدها كان أسقفًا في جزيرة تينوس، واسمها الأصلي هو آناستاسيا اشتراها سيد أسياد البوسنة وأرسلها إلى إسطنبول عاصمة الدولة العثمانية إلى حرم السلطان أحمد الأول

بلطي سمك ويكيبيديا ~ سمك البلطي أو سمك المشط هو الاسم الشائع لجنس من الأسماك يضم ما يقرب من مائة نوع لأسماك البلطي أهمية كبيرة في مناطق متعددة من العالم خصوصاً المناطق المدارية، إذ تمتاز هذه الأسماك بمجموعة من الصفات تجعلها مناسبة

مورفين ويكيبيديا ~ المورفين الاسم الدولي غير مسجّل الملكية، يُسوّق تحت العديد من الأسماء التجارية، هو مسكّن ألم قوي من فئة الأفيونياتيعمل المورفين بشكل مباشر على الجهاز العصبي المركزي لتقليل الشعور بالألم يمكن استخدامه لكل من

Sibyl, a jaded psychotherapist, returns to her first passion: writing. But her newest patient Margot, a troubled up-and-coming actress, proves to be a source of inspiration that is far too tempting. Fascinated almost to the point of obsession, Sibyl becomes more and more involved in Margot’s tumultuous life, reviving volatile memories that bring her face to face with her past.
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Swimming Pool 2003 Film Izlemek

Swimming Pool Film Izlemek 2003

süre : 152 tutanak tutmak Wahlstimme
oylanan şey sayı : 6.5/10 (09619 bildirmek)
ses kalitesi : MPE 1080p
WEBrip
kanı : 8214
sanat : Ältere Menschen , Zoologie
dil : CK,ZM,MP,BD,LA,DO,SH,TV,PAN, GIB, TKL, PNG, GUY
yaşında olmak : 6.3/10 (16922 Wahlstimme)

Swimming Pool 2003 Film Izlemek

Swimming Pool Film Izlemek-film-müzikleri-WEBrip-2003-HDTS-HDTS-auf italienisch-ASF-MPEG-HDRip-film-deutsch-1080p-online stream.mp4

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[HD] Swimming Pool 2003 Film Izlemek

Kısa film

Harcandı : $680,335,693

Gelir : $086,175,180

Kategoriler : Scheitern - epidiktisch , Stück Leben - Bibliothek , Wirtschaft - Fidelity , Egal - Super Heroes gesunder Menschenverstand

Üretici Ülke : Niederlande

Prodüksiyon : Calidra BV

حوض سباحة فيلم 2003 ويكيبيديا ~ حوض سباحة بالإنجليزية Swimming Pool هو فيلم إثارة إغرائي فرنسي بريطاني تم إنتاجه في سنة 2003 وهو من إخراج فرانسوا أوزون وبطولة شارلوت رامبلينج لوديفين سانيير و تشارلز دانس، الفيلم يحكي قصة كاتبة ألغاز إنجليزية إسمها ساره

حوض سباحة فيلم 2001 ويكيبيديا ~ حوض سباحة بالإنجليزية Swimming Pool و بالألمانية Swimming Pool Der Tod feiert mit هو فيلم رعب ألماني تم إنتاجه في سنة 2001 وهو من إخراج بوريس فون سايخوفسكي وبطولة جيمس مكافوي و آيلا فيشر و كريستين ميلر و جيسون ليجيت و كورديليا بوغيجا و

ملفSwimming Pool 26th Harrison San Francisco Mural ~ ملفSwimming Pool 26th Harrison San Francisco Mural Art 4415450236jpg من ويكيبيديا، الموسوعة الحرة اذهب إلى التنقل اذهب إلى البحث

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In the middle of this amusing thriller is a relationship between two different types of females, one is a well know British author and the other is a sex-crazed French teen. The two get into some relationship trouble while living together in this film of psychological imagery and an erotic exploration of the female body.
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Star Wars: The Rise of Skywalker 2019 Film Izlemek

Star Wars: The Rise of Skywalker Film Izlemek 2019

süreç : 129 dakika Stimmen,

karar numara : 5.4/10 (93628 oylayarak kararlaştırmak)
kalite : AVI 1080p
BRRip
görünüm : 8059
sanat : Fehler , Katastrophe
dil : DO,SX,AS,MV,TN,AL,PR,CO,BLM, OMN, BGD, GLP, BRB
katılmak : 9.4/10 (92576 Abstimmung)

Star Wars: The Rise of Skywalker 2019 Film Izlemek

Star Wars: The Rise of Skywalker Film Izlemek-türkçe-dublaj-blu ray-2019-auf italienisch-MPEG-VHSRip-MP4-AAF-Blu-ray-DVD-AAF-mit untertitel-HDRip.mp4

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Well.. this was dull.

Let me give you a little context to understand better how I felt during this movie. Firstly: I'm NOT a big Star Wars fan. I like the movies and see them as a "good" franchise, but I wouldn't put any of them on my personal top lists.

I enjoy the art of the franchise way more than the story. I LOVE the music, the design of ships and the visual world building. I like some aspects of the overall story more than others of course, but none really come to mind when I think of what I like about the movies in general.

That being said, I felt "The Force Awakens" was really boring. Just a generic movie trying to do "the Star Wars things". It was fine but not in any way memorable to me.

"The Last Jedi" on the other hand really tried ignoring the big "Star Wars cult" and therefore entertained me the most of all the 9 movies. I prefered the focus on using the "Star Wars" world to tell a story rather then to tell another "Star Wars"-version.

"The Rise of Skywalker" now is at best as boring as "The Force Awakens" and very often a big punch in the face to everything I liked about "The Last Jedi". Obviously the higher ups at Disney decided to take notes on everything "the fans" disliked about the 8th movie and do some sort of "damage control" according to that feedback.

The movie hast way too much going on for reasons which are often non-existant or just plainly bad. Since the movie couldn't grab my focus I just happened to think more about the big plotholes and started nitpicking and sometimes even mocking the movie for certain decisions which I don't want to spoil here.

It's really a shame. I hope Disney will use the name in the future to do standalone movies of different genres, for example a racing movie in space would be great or a good action flick with one or two of the beloved characters.

If I had to give it a rating I would probably give the movie a 4-6/10. I only REALLY enjoyed one scene because I hoped for it to happen most of the movie, but that didn't save the rest.
Went to the first showing in town tonight. I really enjoyed the film. Although it leaned heavy on nostalgia, it should, since it is wrapping up 40 years. I did not care for The Last Jedi, and was worried going in. Will do a deeper dive after I have seen it a few times.
It’s hard to write a review for this film without any major spoilers, so this might seem a little vague here and there. There will be very minor spoilers, primarily what’s revealed in the opening text crawl or the trailers, so not much, but if you want to go into this film completely virgin, stop here.

The film starts off with things already underway. A transmission has been sent out that contains the voice of Emperor Palpatine. Kylo Ren, now Supreme Leader of the First Order, goes to seek out Palpatine as a potential threat to his power. In the meantime, the Resistance is still in shambles after the events of “The Last Jedi,” and they are busy doing scouting missions and regrouping.

All of this is revealed in the opening crawl of the movie, which is where the problems begin. It violates a cardinal rule of storytelling: Show, don’t tell. It wouldn’t have taken much to have this done on screen in more dramatic and effective fashion. Instead, this has the effect of making it feel like we either missed something important or that we’re watching an entirely different movie with a different story. This makes things confusing. It doesn’t help that I was already thinking that J.J. Abrams probably needs to go back to Screenwriting 101 during the opening crawl. Not a good way to start.

Other things happen during the course of the movie that make no sense. Why does Kylo Ren reforge his helmet? We never really find that out. He just does. The Knights of Ren do appear in this film finally. Who are they? If you’re expecting an answer of any kind, you’ll be disappointed. Why is there this strange connection between Rey and Kylo Ren? One of the mysteries of the Force, I suppose. Characters who we don’t know appear from nowhere having been significant to the goings on even though we’ve never seen them before. Other characters take bizarre and up to now not even hints at character arcs. It becomes a horrendously confusing mess.

I liked some of the more controversial aspects of “The Last Jedi.” Rey being a nobody with no significant parentage? Great idea! The galaxy is a big place. Why does everyone have to be related? Well, this is adjusted slightly. I won’t go into details, but it was disappointing what they did, in my opinion. Leia’s story arc in this film is...weird. I’m going to allow that it’s due to the loss of Carrie Fisher and having to use archival footage (one scene that shows a young Luke and Leia using computer effects is freaky at best). But it’s off-putting and feels tacked on for convenience. It was nice to see Lando return, although even that felt more like throwing a bone to the fans. He could have potentially been replaced by any character with flying skills. Speaking of such, Wedge does make finally make an appearance, but it’s a blink-and-you’ll-miss-it moment.

Here’s how I would sum it up spoiler-free: As I said, I liked “The Last Jedi” a lot, including parts that many didn’t like or found weird as I stated above, but at the same time it was not a problem-free movie for me. “The Rise of Skywalker” is the exact opposite. It definitely has some really cool moments, but feels so sloppy and makes so many storytelling mistakes that, on the whole, I have to say that it’s a bad movie. I’ve said this about just about everything I’ve seen come from J.J. Abrams, that he’s great at coming up with interesting imagery. He gets these pictures in his head of something that would be really interesting to see on film, like flashes one might remember from a dream. For example, there’s a great scene near the end that finally corrects what many consider a great injustice done in an earlier movie. But couching these images in a cohesive story is not his strong suit. In fact, he’s downright terrible at it. This problem seemed to be going in full force in “The Rise of Skywalker.”

Were some of my complaints addressed in some expanded material? I don’t know, but even if they were it would still make it bad storytelling. Star Wars has always been fairly good about keeping things self-contained. Expanded material adds extra background to enhance the enjoyment of the main material, like adding seasoning, but shouldn’t be necessary to appreciate the meal.

Overall, you need to see this movie to close out the Skywalker Saga, but that’s really the only reason. Don’t go into this expecting a good or even decent film, or for every question to be answered. Ultimately, it’s a disappointing end to Star Wars, and I say this as a Star Wars fan.
When The Force Awakens was released the vast majority of fans liked it. They were practically watching a remake of A New Hope but it was enough for them. Although they never liked Rey. That damn feminist agenda right?

The Last Jedi took that from them, it got away from the formula and they went crazy.
Who was that Rian Johnson and how he dare to change the characters that only they know how they should act?

They did not give them what they wanted and that annoyed them and it's ironic because many times they have complained about the saga and its direction and if something has become clear to me it's that the great majority only want the same, like in the original trilogy. And what does that mean? Fan service. And that's what Star Wars has become.

You don't believe me? Ask fans about the scene they liked the most about Rogue One.
Vader's scene. A fan service scene.

And the fear of losing the ''fans'' forced Disney to undo what they were creating, they also threw Johnson and his film under the bus and they practically announced this new film like the one that came to fix the disaster. A shame and an insult to the director's work.

Rise of Skywalker in my opinion represents a setback and it doesn't matter that this is supposed to be the ending. It's a setback because they decided to play it safe and submit to the whims of the audience.
While that does not translate into poor quality, it doesn't represent something worth mentioning either.

Star Wars represents pure and good entertainment but when it lacks surprises and feels so safe and predictable it means that you're sacrificing any emotional resonance and when it comes to the end of the 9 episodes, that emotion is simply not there.
That shot of Rey looking at the two suns should have felt overwhelming and thrilling and I don't know about you but I didn't feel it and that was a huge letdown.

And that's what separates this ending from Return of The Jedi and Revenge of the Sith, even though it was known what would happen in Episode III, despite the mistakes there was emotion, here was like finishing the business.

I don't consider myself a die-hard fanatic of Star Wars but I do like the saga a lot, yet in order to survive, even of its toxic fandom, they have to dare to try new stuff and forget about the original trilogy because to live in the past is to die in the present and for the saga to have a future, looking forward is the only way.

It's a very well made and entertaining film and it was a decent ending for this trilogy but quite an underwhelming conclusion for the saga as a whole.

And the Knights of Ren? What a fucking disappointment.
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If you don’t know by now, I’m a massive Star Wars fan. I love the original trilogy, but the prequels… not so much. However, Disney’s sequel trilogy has delivered two of my favorite movies of the whole franchise, so its conclusion was obviously one of my most anticipated moments of the year. If that wasn’t enough to leave everyone excited, add the fact that it also means the end of the Skywalker Saga, and the pressure suddenly becomes 10x heavier. I went in with moderately high expectations, with not even a glimpse of any trailer or TV spot, just like I did with Avengers: Endgame. The latter surpassed my expectations and delivered a near-perfect conclusion to the Infinity Saga…

The Rise of Skywalker is a tremendous letdown. I won’t sugarcoat it. If someone told me at the beginning of the year that J.J. Abrams wouldn’t be able to offer a satisfying end to the nine-episode story, I would laugh like crazy. It disappointed me so much that I don’t even want to extend this review more than the usual. I know that a lot of people hated The Last Jedi, but for better or worse, that film exists. Rian Johnson’s decisions were made. Some people received them well, some didn’t. But all of us got to watch and experience his narrative.

There’s something called artistic integrity, which J.J. Abrams and Chris Terrio completely forgot about. The lack of respect for the saga’s previous installment is baffling. The structure-less screenplay is so unbelievably convoluted that it reaches a point where evident logical issues come into play. Major plot points occur due to some genuinely hard-to-believe events, and even the characters seem to have no path whatsoever. It’s entertainment for the sake of entertainment.

Of course, there are a lot of visually jaw-dropping action sequences. The cinematography (Dan Mindel) is some of the best I’ve seen in the franchise and in this year. John Williams’ score is emotionally compelling, and it definitely elevates a lot of important moments, being a big source for the chills down my body. And yes, there are a bunch of epic scenes. However, throughout the whole runtime, the frustration was always there. Major threads and character backstories were answered in The Last Jedi, but The Rise of Skywalker feels more like another sequel to The Force Awakens than to Rian Johnson’s flick.

If there’s one undeniable aspect about this trilogy that this last movie proves is that there was no plan. No roadmap. No overall structure. Whether you love or hate each or every installment, this is indisputable. Disney screwed up this time. Creative freedom is essential to filmmakers, but the production team behind a franchise needs to have a well-organized structure. The simple fact that J.J. Abrams directed the first film, left and returned to do the third one, is already weird and uncommon by itself.

Besides the lack of artistic integrity, there’s this feeling of constant disappointment throughout the movie. On several occasions, The Rise of Skywalker is so close to delivering a perfect sequence. A chill-inducing moment. An incredibly emotional scene. Almost every time, it fails at the last second, at the last line of dialogue, or at the last action movement. Some moments are still captivating, and they don’t lose that much impact. Nevertheless, some are totally destroyed by the most ridiculous, cringe-worthy choices I’ve witnessed in the saga.

The first act is devoid of any thought. Characters go to places to get something they need to another place so that in that place, they find something else that leads them into another place… It’s frenetic, out-of-control pacing. The desperation to set up so many different side stories in time is so prominent that it’s visible from another galaxy. From the second act on, things get a bit more clear, and in the third act, all the threads blend decently. It’s in the last 30 minutes that the resemblances to Avengers: Endgame come into play. The only difference is that it doesn’t have 1/10 of the emotional impact due to the questionable decisions I mentioned above.

Only one character got his arc complete without detours or significant changes: Kylo Ren. J.J. set him up, Rian Johnson continued his journey, and J.J. closed his arc pretty well. Every other character either got their arcs complete with major changes throughout, or they didn’t come close to finish their own story. There’s one exception, though, and that’s Carrie Fischer’s Leia. It would be extremely disrespectful and unfair for someone to criticize the filmmakers about her. They inserted her reasonably well in the scenes (please, if someone complains about visual effects, just get lost), and they did the absolute best they could under the known circumstances. I might be extremely disappointed, but I do have to send the team my congrats for closing her arc in the most dignified way possible.

As for everyone else… well, the cast has been outstanding from the very beginning. Adam Driver, I have no words for him. He’s so perfect as Kylo Ren that I even defend his character as a villain more layered and emotionally complex than Darth Vader. I love Daisy Ridley as Rey, and she does a phenomenal job in this last film, even when her dialogue doesn’t entirely suit her. John Boyega, Oscar Isaac, and everyone else (who I won’t mention due to possible spoilers) are all brilliant, and I have to congratulate them on making every single movie a bit better.

I don’t know what more should I write. I have very mixed feelings about it. I love a lot of the epic moments, the film looks absolutely stunning, and the action sequences are genuinely jaw-dropping. However, I strongly disagree with some decisions made by J.J. Abrams and Chris Terrio, especially the ones that make The Last Jedi feel like it didn’t exist. This lack of artistic integrity plus the constant disappointments regarding each big moment’s climax ruins one of my most anticipated movies of the year. Despite the brilliant performances from the cast, only Kylo Ren got his arc complete without significant changes. The Force Awakens set up some mysterious questions. The Last Jedi answered them. The Rise of Skywalker… also answered them. It’s one of my biggest letdowns ever, but I’ll still save the Skywalker Saga close to my heart. Next time, just build a roadmap, Disney…

Rating: C
5 reasons **you'll** love this movie:

**You** can't spoil the plot to anyone who hasn't seen it, because it doesn't HAVE a plot. Sure, stuff happens, and if you blab about it, you'll get asked "Who did what? When? Why?", and you won't be able to answer because you won't know either.

It validates **your** blind optimism over everyone else's cool deliberation, because our so-called heroes just blunder their way through every peril imaginable without any logic, strategy or preparedness, yet they come out unscathed for [reasons]. Often using guesswork, or was that "The Force"?

No need for **you** to remember any complicated story arcs, bothersome subtle clues or dramatic prophecy drops from throughout the series, because this final movie just makes up completely new stuff that you couldn't possibly have seen coming because it never existed before.

It's ridiculously easy to re-enact the movie at **your** next cosplay gathering, because the characterisations are so shallow and vapid that all you need to do is ad-lib the actors' lines, and you'll probably get a better script.

All that junk **you've** accumulated over the years will come in damn handy one day, just like it did for our so-called heroes. They managed to have everything they need on hand. So much so, that vitally important junk literally materialises right in front of them, and usually from places that makes you wonder why they never noticed it years ago.
This movie is really awesome. It took me two viewings to truly cement the way I truly feel about this film. But upon second viewing this film was not just an entertaining blast from start to finish but to be honest a perfect conclusion to the Skywalker story. The film traverses the stories of the previous films in order to bring all those stories together for a culmination that is truly satisfying. The cinematography and visual effects as usual are outstanding in the film but this film seems to have a unique feel that adds to the foreboding tone kept consistent throughout. Adam Driver and Daisy Ridley as Rey and Kylo truly shine in this film and are both giving their a - game and prove that they are both incredible actors and extremely emotionally flexible (particularly Ridley). The Arc of Kylo Ren is by far the highlight of this trilogy and in this film and the conclusion of said arc is immensely satisfying, Reys story also takes a surprising turn which I found immensely satisfying in hindsight. As a conclusion to my favourite series of all time I was left immensely pleased with the final sequence of the film which brings all of this lore together in a way I couldn’t predict to be this poignant. This film overall was a wonderful farewell to this saga that was so satisfying and enjoyable that I will look back on this saga with great nostalgia and adoration that I hope to show my children as a whole nine part saga and I am immensely honoured to have been part of this moment in pop culture and to get to view this conclusion is a truly wonderful thing for me. It’s with this i farewell the galaxy far far away with immense satisfaction.
This is some bullshit. You know it, I know it. _Rise of Skywalker_ is not just a bad movie contained within itself, it's also a **very** bad sequel to _Last Jedi_. But that didn't stop me from having a really great time at the cinema with _Episode IX_. Twice.

Originally I started writing my review for it by writing two lists, one of all the dumb crap I didn't like, and one of all the dumb crap I did like, but A) it contained a lot of spoilers, and B) there's a lot of lists of the dumb crap in _Rise of Skywalker_ out there already, so all I'll say is just this: The majority of complaints that people are making about _Rise of Skywalker_ are fair and accurate, and whether you are a _Star Wars_ fan or not, there is a very real chance you will not enjoy this movie. But between 2017 and 2019 I watched over 1500 movies, and I thought that this movie was one of the better ones.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_I enjoyed it, but I did so with a sizeable asterisk_**

>_I said to Rian, "_Jedis don't give up. I mean even if he had a problem he would maybe take a year to try and regroup, but if he made a mistake he would try and right that wrong_." So right there we had a fundamental difference, but it's not my story anymore. It's somebody else's story, and Rian needed me to be a certain way to make the ending effective. That's the crux of my problem. Luke would never say that, I'm sorry – well in this version. See, I'm talking about the George Lucas_ Star Wars_. This is the next generation of_ Star Wars_, so I almost had to think of Luke as another character. Maybe he's Jake Skywalker. He's not my Luke Skywalker. But I had to do what Rian wanted me to do because it served the story. But I still haven't accepted it completely._

- Mark Hamill; Official Press Tour for _Star Wars: The Last Jedi_ (December 18, 2017)

>The _Force Awakens_, _I think, was the beginning of something quite solid._ The Last Jedi_, if I'm being honest, I'd say that was feeling a bit iffy for me. I didn't necessarily agree with a lot of the choices in that and that's something that I spoke to Mark [Hamill] a lot about and we had conversations about it._

- John Boyega; "John Boyega Is on His Own Hero's Journey" (Isaac Rouse); _HyperBeast_ (December 8, 2019)

>The Last Jedi _is full of surprises and subversion and all sorts of bold choices. On the other hand, it's a bit of a meta approach to the story. I don't think that people go to_ Star Wars _to be told, "This doesn't matter."_

- J.J. Abrams; "Will _Star Wars_ Stick the Landing? J.J. Abrams Will Try" (Dave Itzkoff); _The New York Times_ (December 11, 2019)

Rian Johnson's _Star Wars: The Last Jedi_ (2017) was a film which divided critics and audiences to an unusual degree – on Metacritic it has a critical score of 85/100 (the second-highest in the franchise), with 53 positive reviews against zero negative, but its audience score is only 4.4/10 (the lowest in the franchise), with around 3,000 positive reviews against nearly 4,500 negative. In their (predominantly negative) reviews of _Star Wars: The Rise of Skywalker_, many critics who championed _Last Jedi_ posit that the film was a great work of art, unfairly maligned by a toxic fanbase pissed off that Luke Skywalker (Mark Hamill) was in a perpetual bad mood and that Rose Tico (Kelly Marie Tran) was unacceptable because she wasn't white. And certainly, there was an element of that in the reaction some diehard fans had to the movie – the racist and sexist abuse that Tran took from such fans was shameful, and the very definition of toxicity. However, these critics essentially argue that if you didn't like _Last Jedi_, the _only_ possible explanation is that you're a racist, misogynistic, reactionary, right-wing Neanderthal – it certainly can't have anything to do with simply disliking the movie because you disliked the movie. And of course, such critics don't mention the horrid screenplay that spends 40 minutes on a side-quest that has nothing to do with the rest of the film; they don't mention how Vice Admiral Amilyn Holdo (Laura Dern) withholding her plan from Poe Dameron (Oscar Isaac) makes not a lick of sense; they don't mention Luke throwing away his lightsaber (to hell with that scene); they don't mention how General Hux (Domhnall Gleeson) was turned into comic relief; and they sure as hell don't mention resurrected flying space Jedi (to hell with that scene too). The fact is, the film is an absolute mess, and it has zero to do with skin colour or gender.

And so, one must ask, is _Rise of Skywalker_ a course correction or a flat-out apology? I'm leaning to the former, but there can be no doubt that much of what _Last Jedi_ introduced into the canon has been unceremoniously discarded – Kylo Ren (Adam Driver) is once more wearing his mask and the Knights of Ren are back; the Jedi child seen at the end of _Last Jedi_ is never mentioned; Rey's (Daisy Ridley) parentage, so casually dismissed in _Last Jedi_, is once again crucially important; Rose, that most maligned of characters, has gone the way of Jar Jar Binks (Ahmed Best), and is barely seen. Indeed, _Rise_ is more of a sequel to J.J. Abrams's _Star Wars: The Force Awakens_ (2015) than it is to _Last Jedi_, one or two major plot points notwithstanding, and whilst _Last Jedi_ looked forward, clumsily introducing new concepts and themes to the franchise, _Rise_ follows _Force Awakens_ in doing the opposite – it looks back, and is chock-full of throwbacks and references to the previous films. And although I certainly enjoyed it as a spectacle (it looked and sounded exceptional in 3D IMAX), there's no doubt it's a deeply flawed piece of work. It's the kind of film that feels like it was created by a computer algorithm or a corporate committee trying to tick as many boxes as possible – rather than attempting something ambitious which fans _might_ not like, it's far more concerned with trying to please everyone without offending anyone. And this is only one of two impossible tasks it assigns itself.

Picking up the story a few months after the events of _Last Jedi_, the war between the Resistance and the First Order is still raging. However, a recent development has altered the playing field and taken both sides by surprise – Emperor Sheev Palpatine/Darth Sidious (Ian McDiarmid) has returned, having survived the events at the end of Richard Marquand's _Star Wars: The Return of the Jedi_ (1983). Revealed to have literally created Supreme Leader Snoke (Andy Serkis) in a lab, Palpatine has been manipulating events from behind-the-scenes for years and now plans to harness the immense combined power of every Sith who has ever lived. As the film begins, Supreme Leader Kylo Ren, who assumed the mantle after he murdered Snoke in _Last Jedi_, is making his way to Palpatine's base on the 'hidden' planet Exegol, which can only be reached with the use of a powerful Sith Wayfinder, of which there are only two in existence. Seeing Palpatine as a threat to his leadership of the First Order, Ren is planning to kill him. However, rather than doing so, he watches in awe as Palpatine reveals a massive armada of hundreds of fearsomely powerful _Xyston_-class Star Destroyers. He then orders Ren to find and kill Rey. Meanwhile, with Luke dead, Rey is continuing her Jedi training under his sister, Leia Organa (a cobbled together 'performance' by Carrie Fisher, comprised of a combination of unused material from the previous films, body doubles, and CGI). When Poe and former First Order stormtrooper Finn (John Boyega) discover that Palpatine is on Exegol, Rey learns of the necessity of the Wayfinder from Luke's notes. And so Rey, Poe, Finn, Chewbacca (Joonas Suotamo), and the droids C-3PO (Anthony Daniels), R2-D2, BB-8, and D-O set out to find it.

_Rise of Skywalker_ is directed by _Force Awakens_ director J.J. Abrams (_M:i:III_; _Super 8_; _Star Trek: Into Darkness_). Colin Trevorrow (_Safety Not Guaranteed_; _Jurassic World_; _The Book of Henry_) was originally hired as writer/director, but he left/was fired from the project after clashing with franchise producer Kathleen Kennedy, who seems to have a bit of a thing for firing directors, and who was dissatisfied with the script by Trevorrow and Derek Connolly (_Kong: Skull Island_; _Jurassic World: Fallen Kingdom_; _Pokémon: Detective Pikachu_). In the credits for _Rise_, Abrams and Chris Terrio (_Argo_; _Batman v Superman: Dawn of Justice_; _Justice League_) are credited with the screenplay, working from a story credited to Trevorrow, Connolly, Abrams, and Terrio, although Terrio has said in interviews that the Trevorrow/Connolly credits were a legal requirement, and nothing of their script remains in the final film.

And this brief bit of background chaos serves to help illuminate what is probably the biggest problem with both this film and this new trilogy as a whole – lack of narrative through-lines. At no point during _Rise_, not for one second, did it ever feel like the culmination of a nine-film arc. Hell, it barely felt like the culmination of a three-film arc. As already mentioned, _Rise_ seems more like a sequel to _Force Awakens_ than it does to _Last Jedi_, but the problem runs deeper than that; not only is there a modest disconnect between the three films in the sequel trilogy, but there's a much more important and sizable disconnect between this trilogy and the previous two – George Lucas's _A New Hope_ (1977), Irvin Kershner's _The Empire Strikes Back_ (1980), and Marquand's _Return of the Jedi_ and the Lucas-directed prequel trilogy; _Episode I: The Phantom Menace_ (1999), _Episode II: Attack of the Clones_ (2002), and _Episode III: Revenge of the Sith_ (2005).

Love them or hate them, the prequels do feel like they take place in the same narrative space as the originals; they not only form a coherent and logical trilogy in and of themselves, but (Midi-chlorian foolishness aside), they also form a coherent and logical six-film arc with the original trilogy. In short, the prequel trilogy has very strong and narratively organic connective tissue to the original trilogy. Lucas himself has spoken to this connective tissue, pointing out that when you watch the originals, it's Luke's story, but when you watch the six films, it's Anakin's story. When you factor in this third trilogy, however, despite Disney dubbing the nine films the "_Skywalker Saga_", the overarching story essentially becomes Palpatine's, as he's the only constant in all three trilogies (apart from C-3PO and R2-D2). However, whilst Palpatine's presence in the first two trilogies is integral, woven intricately into the fabric of everything that happens, his appearance here is…less so. This has the effect of making the nine-film sequence feel unbalanced, with the last three never really managing to feel like a valid continuation of the previous six. At best, they feel like a spin-off, with thematic connections and recurring characters occasionally shoehorned in to try to establish narrative continuity, but, by and large, they're their own thing – which is not how Disney has sold them at all.

All of which leaves _Rise_ with not one, but two impossible tasks – 1) to somehow conclude this trilogy in such a way that it also works as the satisfying closing chapter to the nine-film _Skywalker Saga_, and 2) to somehow conclude this trilogy despite having to abandon and retcon much of what the second film did.

The importance of this trilogy's disconnection from the others was brought into relief for me by something my uncle said when we were discussing _Rise_. He's a fall-down drunk who talks to trees and may be involved in a plan to resurrect Hitler as a gay sushi chef, but he has a very interesting perspective on the _Star Wars_ films. To paraphrase, he said that to him _Force Awakens_, _Last Jedi_, and _Rise_ never felt like _Episodes VII_, _VIII_, and _IX_ – rather they felt like _Episodes X_, _XI_, and _XII_, and the "real" _Episode VII_, _VIII_, and _IX_ were never made. This isn't him arguing that Lucas's ideas for the third trilogy (which were rejected by Disney) should have been used and would have been awesome – rather his point is more structural; this trilogy is built on a serious of major events which take place between _Return of the Jedi_ and _Force Awakens_, which we never got to see and which fundamentally divide this trilogy from the other two. Had we been made privy to these events, however, these last three films would have had a much easier task of integrating into and ending the twelve-film _Skywalker Saga_. I have to admit, it wasn't something that had occurred to me, but the tree to whom he pitched it really sold me on the idea when it told me over the phone, and it does make a lot of narrative sense – had this been the fourth trilogy rather than the third, its connection to the first six films would have been much more organic, the story much more contiguous, and the task of bringing the entire saga to a close considerably less daunting.

Of course, a big question is whether or not Disney had a specific narrative plan going into this thing, with many arguing that the lack of coherence between the three films proves that they did not. But that seems somewhat unbelievable to me. Rather (and again, I have to credit my uncle with this), it's more likely that Abrams laid groundwork for a coherent three-film arc, but Rian Johnson was more concerned with making a Rian Johnson film than a _Star Wars_ film, and ignored (if not necessarily undermined) much of Abrams's preparatory work. This also feeds into the criticism that the first hour of _Rise_ is too plot-heavy and expositionary; which could be explained if he was essentially in a position of having to do two films' worth of work in one, because plot points that should have been emphasised in _Last Jedi_, to set up the events in _Rise_, simply weren't.

The big thing here is the return of Palpatine, which has been argued to be completely arbitrary, a desperate bit of fan service from a filmmaker trying to win back fans, and which doesn't make a whole lot of narrative sense. I can certainly sympathise with those sentiments, and I agree that his return negates Vader's sacrifice at the end of _Return of the Jedi_ and makes a mockery of the whole "_restoring balance to the Force_" prophecy in the prequel trilogy. However (and this is the final reference to my uncle), there were a number of hints in _Force Awakens_ (that I did not pick up on) that a big bad was pulling the strings and that that big bad was Palpatine. To explain any more would constitute spoilers for _Rise_, but there are videos on YouTube posted shortly after the release of _Force Awakens_ which speculate (correctly, it turns out) that Palpatine might be involved. Taken together, it's enough to convince me that his return wasn't as arbitrary as it may seem. And although the fact that it seems that way at all is still a major problem, that's more likely the fault of Johnson rather than Abrams.

There are some smaller issues with the film, however. For example, there are far too many shots of Rey staring off into the middle-distance as she senses something (usually connected to Ren). The film also tends to treat death less than reverentially; no less than six characters die, only to return in some form or another, which cheapens and undermines both the goals of the characters and the inherent risk in attempting to achieve those goals. The quartet of main characters also remain as insipid as they were in the previous two films – Rey never gets beyond the reluctant Jedi trying to wrap her head around everything; Finn never gets beyond the token good guy who used to be bad template; Poe never gets beyond Han Solo-lite; and Ren never gets beyond the moody emo who hates his parents and so is rebelling against them by hanging out with a questionable crowd of intergalactic fascists. As you do. The structure of the plot is also poor, far too repetitive, and relying too heavily on coincidence. The biggest problem is that the whole film is built around the Resistance trying to get to Exegol. To do so they need the Wayfinder, but to get that they need this other thing, but to find that they need to go here and speak to him, but to do that they need a mystical doohickey but to get that they have to…you get the picture. The whole film feels like a series of video game quests.

Something else that bothered me is a semi-spoiler, so skip this paragraph if you wish. Mimicking the scene in _A New Hope_ where the _Millennium Falcon_ swoops in to save Luke in the final battle, there's a shot towards the end of the film where a massive fleet of thousands of Resistance ships is revealed, led by Lando Calrissian (Billy Dee Williams). But where did such an armada come from? How was Lando able to assemble so many ships in such a short space of time (he has no more than a couple of days)? If such a fleet exists, why not use it before now? Visually, it's a spectacular shot, but the grandiosity is achieved by sacrificing logic.

For all that, however, I have to admit, I enjoyed _The Rise of Skywalker_ for the most part – it's a fine spectacle taken on its own terms, very loud, very over-the-top, and very entertaining. One thing that's come in for a lot in criticism is the number of callbacks to previous films. And there certainly is a lot, but, generally speaking, I thought they were fairly well-handled, logical enough and reasonably organic. For example, Palpatine tells Ren that some people consider Sith abilities to be "unnatural", which was exactly what Palpatine told Anakin (Hayden Christensen) in _Revenge of the Sith_; Poe and Finn are shown playing the holographic chess game on the _Falcon_; the turret gun on the _Falcon_ still has the old-school graphic readout as seen in New Hope; during her training, Rey uses the blast shield on her helmet whilst fighting a flying bot, another reference to _New Hope_; characters sink into quicksand in a scene reminiscent of the garbage compactor scene in _New Hope_; a character Force-lifts an X-Wing from a swamp just as we see Yoda doing in _Empire_; there's a scene of Palpatine and Rey watching a nearby space battle, just as Palpatine and Luke do in _Return of the Jedi_.

Aesthetically, as one would expect, everything looks and sounds great, particularly Palpatine's base on Exegol. Abrams and cinematographer Dan Mindel (_John Carter_; _The Amazing Spider-Man 2_; _Pacific Rim: Uprising_) shoot these scenes like it's a horror movie – deep chiaroscuro shadows, ominous caverns disappearing in the background, unnaturally powerful lightening flashing from above. This tone is helped immeasurably by the production design by Rick Carter (_Forrest Gump_; _A.I. Artificial Intelligence_; _Avatar_), which really sells the vast otherworldliness of the place. Equally important here is the sound design by David Acord (_Guardians of the Galaxy_; _Avengers: Age of Ultron_; _The Secret Life of Pets_), which features a constant chatter of unearthly and disembodied voices, like a thousand ghosts all whispering at once.

The whole thing has a dark vibe the likes of which we've never really seen in _Star Wars_, and the scenes here are probably the best in the film, from a craft perspective if nothing else. The scenes showing Rey and Ren speaking to one another via Force Dyad are also excellent. These scenes were easily the best part of _Last Jedi_, and they're just as good here, as we see the background of one character's location appearing behind the other character, with the backgrounds shifting from one to the other as the scenes play out. A lightsaber fight makes particularly good use of the Dyad, with events in one location having an unexpected effect on events in the other.

So, all things considered, although I enjoyed _The Rise of Skywalker_ and found it a vast improvement over _Last Jedi_, it never touches greatness. Everything feels workshopped and focus-grouped to within an inch of its life, and the spark of originality that was so prevalent in the original trilogy and less so in the prequels seems almost extinguished. It looks great, and it's both exciting and entertaining, but it's also safe and predictable in a way that none of the films were when Lucas was still in charge. And sure, you might say that fans rejected _Last Jedi_ because it took too many risks, and now they reject _Rise_ because it doesn't take enough, and there's probably some truth to that. But the fact is that the film never feels like a closing chapter, not because it looks like there'll be more chapters, rather because it never seems to know how to conclude the story with much in the way of satisfaction. I enjoyed it whilst I was watching it and it's a decent enough _Star Wars_ movie, with some terrific individual scenes. But as the final entry of a 42-year-old franchise (the most popular franchise in any medium in human history), the whole thing is, perhaps inevitably, a little disappointing.
“Do it!”

I’m surprised they added that in there despite all the memes.

Anyway…

A long time ago...four years to be distinct; the space opera ‘Star Wars’ returned to cinemas with ‘The Force Awakens', that brought back the bittersweet experience that fans have been craving for over 30 years. Well lets just say Christmas was magical that year. While I wasn’t quite as wowed as everyone else, but I still enjoyed it otherwise and I was interested where the story will go after J.J. Abrams left his “mystery box” of questions for another director to answer. How exciting and epic the next years will be.

And then the sequel and two spin-offs happened. Well lets just say my interest for these new movies has completely evaporated. Sad times indeed. And no I don’t feel like I’m being overly negative in the heat this movie is receiving, because right now, at this very moment, my thoughts and overall feeling on this movie are genuine, and re-watching it isn’t going to safe it. I’m not disappointed or angry, because at this point I stopped caring.

‘Rise of Skywalker’ is a factory made movie with no heart, no soul, and no magic. Words and phrases like: bold, epic, and satisfying - are not the type of words that I would describe this final chapter in the Skywalker saga. I can’t call something bold if it played things incredibly safe. Each movie exists just to shred up and apologize for what came before it.

J.J. Abrams can be hit or miss sometimes, but I must admit he had a difficult task to follow up on ‘Last Jedi’ and Rian Johnson undoing his mystery box questions. If that wasn’t bad enough, the death of Carrie Fisher also had a massive effect on the story, and including her into the movie, while respecting her legacy and giving her as much screen time with the limited deleted footage they have. Abrams sadly treads on familiar ground and doesn't really handle the originals (or even the prequels) with respect. This is literally a remake of ‘Return of The Jedi’.

The story in this movie is almost nonexistent. It’s so rushed that you can’t catch a breather amidst the chaos. Nothing flows naturally. Characters running around and jumping from location to location. I think the quick pace easily hides the poor writing and plot holes. I also thought the title crawl is a bit off and felt it was written by a Reddit user. From the moment the movie starts until it ends nothing makes a lick of sense.

I think the biggest waste of opportunity is the character of Finn, because the potential of greatness was set up in ‘The Force Awakens’, and they didn’t do a single thing with it. I mean, a Stormtrooper who revolt against the corrupt and sinister empire, which is something we haven’t seen before. Heck, a long time ago he held a lightsaber. Unfortunately in this movie he’s a comedic buffoon that sweats and shouts a lot. What a waste of John Boyega’s talent. They did him dirty.

I like Daisy Ridley, not so much on Rey. I don’t want to jump on any bandwagon here, but I don’t understand how someone can be so over powered and skillful at the force with barely any training. Whenever there is training it’s over before you know it. There was a point where I said to myself, “Who taught her to do that?”, or “how the hell did she do that?”. I really struggled to emotionally connect with Rey, because there’s nothing more dull than a character with no flaws or growth.

The strongest element throughout these three movies was Kylo Ren by the magnificent Adam Driver. This guy literally carried this series on his back. At least his character as an arc, and not just wasted potential. I actually connected with his inner conflict between the dark side and the light side.

The cinematography looks beautiful and absolutely striking. The visuals and music will always be great with these movies regardless on the actual movie.

Emperor Palpatine is back...for some reason. The vague explanation of why he’s back made it clear to me that Disney had no plan from the start for these new movies. Still, Ian McDiarmid is fantastic as always. He oozes with evil and soaks up every wicked moment of it.

The awkward and ill-placed comedy from ‘Last Jedi’ is still present and it got worse and worse as it went along. With this being the finale, new characters still get introduce and get some development. Like, why are you introducing new characters now? Billy Dee Williams returns as the slick and classy Lando, but sadly doesn't really do much for the story. Richard E. Grant is great as the ruthless new commander of the First Oder with the small screen time he has. Dominic Monaghan, on the other hand, feels like an extra. Rose Tico has a smaller role this time around and her entire love triangle with Finn from ‘Last Jedi’ gets brush under the carpet. Kelly Marie Tran sure can’t catch a break.

The action sequences with the lightsaber fights and space battles were mostly forgettable. Even the scenes that stick to mind wasn’t that special. The camera fails to capture focal points with the grand scale lacking.

I like how there’s a lesbian couple towards the end that’s on screen for about two seconds. So when the studio want to market the movie for China, they could easily edit out it to make it more “marketable”. How progressive Disney.

Overall rating: An unsatisfying conclusion. At least ‘The Mandalorian’ is good.

"

[HD] Star Wars: The Rise of Skywalker 2019 Film Izlemek

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Harcandı : $071,987,903

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Kategoriler : Boats - Spionage , Scary - Chor , Glaube - Documenteur Schwarz , Ziel - Bondage

Üretici Ülke : Bosnien und Herzegowina

Prodüksiyon : Poolhouse Pictures

The surviving Resistance faces the First Order once again as the journey of Rey, Finn and Poe Dameron continues. With the power and knowledge of generations behind them, the final battle begins.
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All About Nina 2018 Film Izlemek

All About Nina Film Izlemek 2018

süre : 168 an Stimmen,

seçim sonucu miktar : 9.6/10 (38798 oy kullanmak)
yapı : DTS 1440p
HDTS
seyretmek : 5240
ressamlık : Nicht émouvant de vampire , Verboten
mesleki dil : SJ,IQ,VC,PN,CZ,UG,NF,UZ,KNA, PCN, DMA, ATA, ISR
rakam : 5.5/10 (68534 Wahlresultat)

All About Nina 2018 Film Izlemek

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[HD] All About Nina 2018 Film Izlemek

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Kategoriler : Verrat - Bondage , Experimentell - Reality Fear Object Magic , Videospiele - Barmherzigkeit , Zoologie - Universum

Üretici Ülke : Tadschikistan

Prodüksiyon : Prospect Pictures

Nina Geld's passion and talent have made her a rising star in the comedy scene, but she's an emotional mess offstage. When a new professional opportunity coincides with a romantic one, she is forced to confront her own deeply troubled past.
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Slow West 2015 Film Izlemek

Slow West Film Izlemek 2015

devam : 194 zabıt tutmak Stimmen,

oylanan şey adet : 9.3/10 (52389 bildirmek)
kabiliyet : DTS 1440p
HDRip
bakmak : 2064
sanat : Bruder , Logik
dil : HM,GY,MY,MZ,BQ,RO,GM,LA,PLW, MAR, ALB, LVA, SOM
rakam : 7.6/10 (96659 Stimme)

Slow West 2015 Film Izlemek

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> Going across the Atlantic to find the lost love.

A western movie set in the 1870 United States, but entirely shot in the New Zealand. The story of a 16 year old boy, Jay, from Scotland embarks a journey in the New World in search of his love, Rose. Later a bounty hunter joins him and makes sure his safe travel. Technically, it was a road movie, but reveals the plot from the other angles as well in the spare times like during camping at the nights.

The narration was too slow and the story was ordinary, but it was enough for me to get engaged. If you wait until the final scene, especially till you figure out the puzzle of the romance theme, you may like it better. The end was so good, just like what a western movie fan looking for, a gunfight. Interestingly, that was not to be heroic, except all the earlier disasters pushed for the finale and the post finale. It is rated R, because it is so brutal in some way and for being faithful to the genre.

It might not be a dream debut for the director like the big cast, the high budget and a great commercial success, but giving a satisfying movie in a simple way was his accomplishment in his first attempt. Kodi Smith-McPhee is almost 20 and he's yet to play his independent and powerful enough character that will bring acknowledgement. It was a close one, the narration started like it was his, and he was everywhere in the movie. Then going further, especially when it nears the end, he was kind of fading. But he was awesome, along with Michael Fassbender. Not a must see, as well as not refusable if you get a chance to see it.

7.5/10
One's a falling angel - the other one's a rising devil.

Slow West is written and directed by John Maclean. It stars Kodi Smit-McPhee, Michael Fassbender, Ben Mendelsohn, Caren Pistorius and Rory McCann. Music is by Jed Kurzel and cinematography by Robbie Ryan.

It's the late 1800s and a teenage Scottish aristocrat travels to the American West to track down the girl he loves with all his heart...

There has been a number of modern day directors who have not only refused to let the Western genre die, but also to not be afraid to take it to a harshness of the West level. They have chosen to strip it back to a sense of realism, with no frills and bunting, just a show of tough times populated by tough people and people tough out of luck. Slow West is one such Oater.

For his first full length feature, John Maclean has chosen to make a genre of film he clearly knows something about. It's got some familiar tropes - greenhorn, grizzled bounty hunter, deadly gang et al, but Maclean has still made a fresh picture, one that not only intrigues and excites, but also humours by way of some black comedy inserts.

Essentially it's a travelogue piece, McPhee's lovelorn Jay Cavendish ends up being escorted on his journey by Fassbender's mysterious tough guy Silas Selleck. It's an odd yet engaging pairing, and as they are pursued by Selleck's old gang, and they come across a number of eccentric or devious characters, you may find yourself hoping that all the hidden agendas - the secrets bubbling away in the background - do not shatter the surrogate relationship neither was looking for.

His heart was in the wrong place.

Ah, but yes! Maclean shows gumption to go all mud and blood on our butts, building everything to a quite terrific final quarter of film that has rode in on a black stallion straight from noirville. No printing the legend here, it's a bitter commentary on the romanticised view of the Old West. Western fans keen of ear will pick up on some historically spiky dialogue exchanges, whilst also noting the nods towards the immigration angles, where Maclean doesn't pull punches as to how desperate the Old West was for many of those who travelled hoping for a better life.

Predominantly filmed in New Zealand (superbly standing in for the American West), the panoramic cinematography is stunning, while it's great to see the backdrops are not just mountainous desert scapes, this journey goes through forestry as well. Cast are on prime form, Fassbender seems to be a given these days and it's hoped he will do a Western again, and McPhee plays off of him with genuine conviction. Then there's Mendelsohn, who has to be one of the finest Australian character actors working today, he's perfectly cast here, so his fans know exactly what they will be getting.

The poster art is hugely frustrating, showing Caren Pistorius with a big beaming smile on her face, that is very much a bum steer. You would be wise to take more note of the faces of Messrs McPhee, Fassbender and Mendelsohn on that poster, for their facial portraits are more in keeping with this cracker-jack Western. 9/10

"

[HD] Slow West 2015 Film Izlemek

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Kategoriler : Isolation - Biographie , Epoche Film - Frühling , Literatur - Apology , Kontroverse - Du Son

Üretici Ülke : Kasachstan

Prodüksiyon : WXYZ Detroit

سونيت 51 ويكيبيديا ~ Therefore desire of perfect’st love being made Shall neigh—no dull flesh—in his fiery race But love for love thus shall excuse my jade Since from thee going he went wilfulslow Towards thee I’ll run and give him leave to go

مضاد اللوكوترين ويكيبيديا ~ مضاد اللوكوترين هو دواء يعمل كمثبط للإنزيمات المتعلّقة باللوكوترين أراخيدونات 5ليبوأكسيجيناز أو كمضاد لمستقبلات اللوكوترين مستقبلات السيستنيل لوكوترين، ومن هنا تعارض وظيفة وسطاء الالتهاب

مناطق انتشار فيروس كورونا حسب الدولة والمنطقة 2019–20 ~ توثق هذه المقالة الدول المتأثرة بفيروس كوفيد19المسؤول عن جائحة فيروس كورونا 2019–20 في مدينة ووهان الصين بجمهورية الصين، وقد لا تتضمن جميع الاستجابات والتدابير والإجراءات الرئيسية حتى الآن علاوة على ذلك، قد تصبح بعض

جائحة فيروس كورونا في ترينيداد وتوباغو 2020 ويكيبيديا ~ توثق هذه المقالة آثار جائحة فيروس كورونا 2019–20 في ترينيداد وتوباغو، وقد لا تتضمن جميع الاستجابات والإجراءات الرئيسية حتى الآن الجدول الزمني في 12 مارس، أعلنت جمهورية ترينيداد وتوباغو عن تسجيل أول إصابة بفيروس كوفيد

كوريا الجنوبية ويكيبيديا ~ مع نهاية الحرب العالمية الثانية في 1945، تم تقسيم كوريا رغماً عنها من طرف كبرى القوى العالمية إلى منطقتي نفوذ تلت هذه الأحداث قيام حكومتين موازيتين في 1948، حكومة شيوعية في الشمال، وأخرى موالية لأمريكا في الجنوب

استجابة الحكومات الأمريكية المحلية والولاياتية لجائحة ~ في 10 مارس 2020، وافقت مينيسوتا على إضافة 208 مليون دولار من الصندوق العام إلى موارد الصحة العامة المسؤولة عن الاستجابة للطوارئ، رافعةً قيمة المخصصات إلى أكثر من 25 مليون دولار لدعم الأبحاث حول الفيروس ومراقبة الفاشيات

تاريخ العبودية ويكيبيديا ~ الصحراء الكبرى يقدر ليفنجستون أن 80،000 أفريقي ماتوا كل عام قبل أن يصلوا إلى أسواق العبيد في زنجبار كانت زنجبار في يوم من الأيام ميناء رئيسي لتجارة الرقيق في شرق أفريقيا، وفي ظل العرب العمانيين في القرن التاسع عشر، كان

متلازمة الهزال ويكيبيديا ~ النهكة أو الدنف أو الحَرَض أو متلازمة الهزال هو فقدان الوزن، ضمور العضلات والتعب، وضعف وفقدان كبير للشهية عند شخص لا يسعى بنشاط إلى إنقاص وزنه التعريف الرسمي للدنف هو نقصان كتلة الجسم، مع تراكم أقل للأنسجة الدهنية

ديتاليني ويكيبيديا ~ ديتاليني الإيطالية Ditalini، وتسمى أيضاً تيوبيتيني tubettini هي نوع من المعكرونة على هيئة أنابيب صغيرةوالترجمة الحرفية لأسمها من اللغة الإيطالية هي الكشتبانات الصغيرة توصف بأنها ماكاروني قصيرة جدا ، وتسمى في بعض

فانواتو ويكيبيديا ~ فانواتو أو رسميًا جمهورية فانواتو بالبسلاماRipablik blong Vanuatu، هي دولة جزيرة تقع في جنوب المحيط الهادئ هي عبارة عن أرخبيل من أصل بركاني وتقع على بعد 1750 كم تقريباً شمال شرق أستراليا و500 كم شمال شرق كاليدونيا الجديدة وغرب فيجي وجنوب شرق جزر سليمان وبالقرب من غينيا

In the Old West, a 17-year-old Scottish boy teams up with a mysterious gunman to find the woman with whom he is infatuated.
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