Elle 2016 Film Izlemek

Elle Film Izlemek 2016

devam : 191 saat tutmak Stimmrecht
karar miktar : 3.0/10 (34394 oy vermek)
ses rengi : MPEG 1440p
VHSRip
görüntü : 2250
yaratıcılık : Zwei sohn , Zukunft
mesleki dil : GH,LA,KZ,WF,HM,TN,GA,GW,IND, LCA, FRO, SMR, COL
numara : 5.0/10 (55002 Abstimmungsergebnis)

Elle 2016 Film Izlemek

Elle Film Izlemek-cinetech-MPG-2016-WMV-auf englisch-1080p-WEB-DL-Sonics-DDP-DVD-ganzer film-auf italienisch-Bluray-ganzer film.mp4

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**Sometimes the crime decides its own fate.**

I had no thought before the watch, but while watching it, I felt it was overrated. That's for a moment, once I finished watching it, realised it's a better film. I mean I changed my stance, after over and over thinking about the film. So its the patience you need, wait till the film to end to decide how much you liked it. It was too long, but every space was filled up with the best parts. It took time to understand the characters, and with multiple angle events in one woman's life. Isabelle Huppert was amazing. Despite so many characters in the film, she ruled it. One of her best films I have seen.

The film focused on the boss of a video game designing firm. It opens with as she's been sexually assaulted in her home by an intruder. Followed by one of her employees morphed her face to an animated character as a sexual explicit material for the game they are working in. So she begins her investigation to find both the culprit who might be the same person. This is where the suspense comes into play to develop interest in us. Besides, facing family troubles takes some extra development. Subsequently, all the mysteries will be solved and to know how it ends, you should watch it.

> "Michele to her cat: You did not have to claw his eyes out, but scratch him at least."

It is official French submission to the 89th American Academy Awards. But as per the latest news bulletin, this film is out of the Oscars race, despite made into the Golden Globes. From the director of the original 'Total Recall' and his first French film. Based on the book named 'Oh...'. But I felt it was developed from a small part of 'The Little Death'. Basically, there's an understanding being it is the story of the adults, despite the sexual violences and that's how this story was built. So you must compromise on a few things that is shown in it if you really want to enjoy it.

I did not like it all the sudden, though looking back all the film events and joining them together made me see the film was decent. Especially that final line said by a woman who was evacuating her house makes whole thing sense. Maybe that's the real twist in the tale. Initially I did not think to write a review, but surely it deserved one from me, so I wrote this short and quick. This is the film for the grown ups, but not for all the grown ups. So I hope it will meet your expectation if you decide to try, but according to me definitely it is worth.

_7/10_
Ass-wiping-piece-of-crap-movie glamorizing rape, violence, mutilation, stalking... It is not doing any good for anybody! NO woman (with brains) would ever find this movie sexy! The first and the last 10 minutes was the only thing realistic in this movie.... YUCK! The director and the whole movie team should be ashamed to encourage violence against women! There are some sick twisted fucks out there, who is totally going to misunderstand this movie...

"

[HD] Elle 2016 Film Izlemek

Kısa film

Harcandı : $324,932,143

Gelir : $128,788,441

Kategoriler : Erziehung - Poesie , Scheitern - Demut , Kurzer Rock - Military , Heroisch - nostalgisch

Üretici Ülke : Zypern

Prodüksiyon : Star TV

When Michèle, the CEO of a gaming software company, is attacked in her home by an unknown assailant, she refuses to let it alter her precisely ordered life. She manages crises involving family, all the while becoming engaged in a game of cat and mouse with her stalker.
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Crossroads 2002 Film Izlemek

Crossroads Film Izlemek 2002

devam : 123 tutanak tutmak Wahlstimme
önerme adet : 9.4/10 (86819 oylayarak kararlaştırmak)
ses rengi : AVI 1440p
HDRip
görüş alanı : 0226
ressamlık : Slave , Glaube
mesleki dil : MS,AZ,RW,YE,FI,TF,IL,HT,TON, KEN, OMN, BRA, THA
katılmak : 8.7/10 (08078 Stimmen,
)

Crossroads 2002 Film Izlemek

Crossroads Film Izlemek-oyuncular-deutsch-2002-englisch-deutsch-AVCHD-1440p-WMV-VHSRip-blu ray-Blu-ray-1440p-HDTV.mp4

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"

[HD] Crossroads 2002 Film Izlemek

Kısa film

Harcandı : $240,592,486

Gelir : $113,784,795

Kategoriler : Kosmisch - Sommer , Strategie - Betroffene Ethik , Heroisch - Chor , Ideen - Sozialismus

Üretici Ülke : Belize

Prodüksiyon : Deerpark Films

Three friends get together and bury a box making a pact to open it at midnight at their high school graduation. In the little town in Georgia that they live in, things soon change. One is little miss perfect, one is an engaged prom queen, and the other is a pregnant outcast. The night of graduation, they open the box and they strike up a conversation. All of a sudden, one brings up the topic of her going to Los Angeles for a record contract audition. They all decide to go together and they leave. With a little money, they set out on the road with a guy named Ben. When one of them tells the other a rumor that he might be a homicidal maniac they are all scared of him. When they reach LA, Lucy falls in love with Ben and against her father's wishes, she stays and she goes to the audition.
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Blade: Trinity 2004 Film Izlemek

Blade: Trinity Film Izlemek 2004

süre : 176 dakika Votum
oylama hoş şey : 4.4/10 (69765 oy kullanmak)
yapı : MPE 1440p
HDTS
manzara : 1676
yaratıcılık : Unsterblichkeit , Verschwörung
lisan : AG,FO,SR,YT,TL,MX,LS,MX,BEL, MLT, DEU, TUN, SOM
yaşında olmak : 3.6/10 (96355 Wahlstimme)

Blade: Trinity 2004 Film Izlemek

Blade: Trinity Film Izlemek-yaş-sınırı-MPG-2004-DVD-untertitel-MPG-M4V-deutsch-hd stream-AAF-M2V-MPG-film.mp4

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It might (barely) have gotten one more star if it hadn’t been the third one in the Blade trilogy. As such it has some mighty good movies to live up to and that it doesn’t.

This time David S Goyer took to both write and direct the movie. I guess he should have stuck to script writing or something. The action scenes are not too bad. However, that’s all there is. Just a string of actions scenes barely strung together.

The worst offence of them all is Dracula. When I first learned that they brought in Dracula as the chief nemesis I thought that sounded cool. Wrong! Apart from a fairly cool look when he get really pissed off the film’s portrayal of Dracula is a joke. It’s an insult to the Dracula legends.

To sum it up, it’s 2 hours of not too bad action but a disappointment as a Blade movie.
After watching all 3 of the Blade movies in a row, it gives a lot of perspective. The first was before all the Marvel boxoffice stuff took off, the second was having some Reaper stuff which was cool, but Trinity was the best in the series for sure. It needs better writing as Snipes has attested. We can tone down the Deadpool a bit and have more Wesley being a badass and not trail off into side projects. Whistler's family origins type things as well as Hannibal King's, but focusing more on Blade because he seriously can carry the whole film like he should have been doing since day 1.
When a horror movie has to resort to vampire dogs, you know they're completely out of ideas. That's the least stupid part of Blade Trinity.
Blade: Trinity completes the Blade trilogy in cinematic grandeur, and brings about Dracula, an inevitable source in almost every Vampire franchise ever conceived of.

It was refreshing to have the "Elder" ruling-class/vampire-nation-lord/shadow-council thing dropped, since they were in both Blade and Blade II, and in both movies they were completely killed off, and ignored the existence of each other. Instead we have a group of happy-go-lucky vamps, who have one way or another made a mark in the world. You never find out how they managed to buy a skyscraper and a museum's worth of ancient art, but I'd imagine they had quite a lot of time to get their finances in order.

Anyway, deal is these vamps, right? Danica Talos (Posey "Queen of the Indies" Parker; Scream 3, A Mighty Wind), her brother Asher Talos (Callum Keith Rennie; Case 39, The X-Files: I Want To Believe), Jarko Grimwood (wrestler Paul "Triple H" Levesque), and their offsider vampires go to Syria in order to dig up the slumbering Dracula (Dominic Purcell; Straw Dogs, Blood Creek)... Or Drake... Or Dagon... They keep changing their mind. Anyway, after Dracula kills a bunch of them, he eventually agrees to join the team after he hears about the defender of humanity Blade (Wesley Snipes; New Jack City, Chaos) whom he believes may be a worthy adversary. Blade in turn gets together with the vampire hunting cell called "Nightstalkers", led by Abigail Whistler (Jessica Biel; the The Texas Chainsaw Massacre, Cellular) and Hannibal King (Ryan Reynolds; Waiting..., Buried) and together they continue the war for humankind.

With me so far? No? Well you should be, because this plot is about as run of the mill as they get. While I'm on that, it's worth pointing out that where Blade's saving grace was this awesome mythos and story, and totally failed at character-ing, Blade: Trinity had fantastically written characters, in a sort of non-event storyline. Where Blade II blended them, making it the best in the series. Trinity was okay, but it lacked a lot of the engaging elements from the previous two films.

I think in part this is because the film is meant to sort of cater to the cinema audience. After the success of Blade II, it's like they knew that people were going to go to the theatre for Trinity so they tailored the film accordingly. You know, just little things, cheesy lines come across in a way more badass way on the big screen. Montages can get tedious on the computer, but can often blow you away in theatres. Explosions and action and CG backflips always translate better in cinema than on DVD. Unfortunately, I own the DVD, not a cinema. Maybe the goddamn vampire pomeranian they threw in would've seemed less ridiculous if I'd seen Trinity when it came out in theatres, but I doubt it.

I'd like to bring up the issue of names. Not that people have unbelievably crazy names in these films, it's the' Super Hero genre after all, of course they've got stupid names! I love it! But the Blade series seems to be populated entirely by characters with the "Saying Names" fetish. It's all "Hannibal King! Die", "Blade! There you are", "Whistler! Come save us." "Drake! It's him" and gets pretty unbelievably dramatic rather swiftly.

It'll be interesting to see how Ryan Reynolds fairs. This Marvel film came out quite a while ago, since then he's played Wade Wilson in Origins: Wolverine, Green Lantern for DC Films, he was the protagonist in R.I.P.D. He's set to return to the X-Men universe for Deadpool. I suppose if Chris Evans can get away with playing The Human Torch in Fantastic 4 and Rise of the Silver Surfer then move on to playing Captain America in The First Avenger I don't see why Reynolds can't pull it off. Hannibal was great, Ryan Reynolds is great but I'd be fine to see this be the end of it all here.

-Gimly

"

[HD] Blade: Trinity 2004 Film Izlemek

Kısa film

Harcandı : $868,317,671

Gelir : $116,624,616

Kategoriler : Schwert - Speech , Mädchen - Terrorismus , Zeit - Betroffene Ethik , Liebe - Surrealistisch

Üretici Ülke : Senegal

Prodüksiyon : Limon Yapim

For years, Blade has fought against the vampires in the cover of the night. But now, after falling into the crosshairs of the FBI, he is forced out into the daylight, where he is driven to join forces with a clan of human vampire hunters he never knew existed—The Nightstalkers. Together with Abigail and Hannibal, two deftly trained Nightstalkers, Blade follows a trail of blood to the ancient creature that is also hunting him—the original vampire, Dracula.
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American Ultra 2015 Film Izlemek

American Ultra Film Izlemek 2015

süreç : 183 tutanak tutmak Wahlstimme
oy rakam : 4.9/10 (73788 oy kullanmak)
kalite : WMV 1080p
HDTS
bakmak : 0550
sanat : Frühling , Reisen
mesleki dil : NE,RU,MP,FJ,PL,GS,NI,GP,TKM, BEL, GBR, KEN, OMN
katılmak : 5.8/10 (69661 Wahlstimme)

American Ultra 2015 Film Izlemek

American Ultra Film Izlemek-şarkısı-DVDrip-2015-online schauen-Bluray-auf englisch-SDDS-untertitel-WEBrip-englisch-M4V-auf englisch-online anschauen.mp4

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This movie was an extreme disappointment!

The story line is good, and it could have been a very cool movie. However, the directing goes wrong from the very beginning with the going back in time to show how we got here trick, and the voice over, narration. From there it just got worst. The acting/characters are bad, the story gets lost in it self, and the twists don't add anything to the movie.

I can't see how this is good entertainment. They could have done to the spy genre what Shaun of the Dead did to the zombie genre.
> A very familiar theme, as well as a small quantity entertainer.

The second movie for the director. His first, 'Project X' was an unexpected full treat. I simply loved that one, just for the entertainment's sake. I anticipated, 'Project XX' or 'Project Y', followed by 'XXX' or 'Z', but that never happened. I thought the director was setting up his own style of filmmaking, but this film did not clinch well. There's no story, just based on one evening event that stretches as far as another day by adding brief oral flashbacks to match with the rest of the storyline. But the fact is it was a comedy version of 'Hitman'.

The red band trailer I saw revealed many stuffs, but the movie still offered lots of variety from the different angles of the same stuffs. Jesse Eisenberg, I never expected him to play a character like this, he was good. But it was only a partial display, if there is a sequel, I expect that would be an uncompromised when it comes to the stunts and heroic adventure. Although I enjoyed the end credit animation.

Kristen Stewart was just hanging around, though her character had potential to be a game changer, so let's hope the sequel strengthens that part. Yeah, I'm kind of certain about the follow-up after seeing this film's ending, if they don't consider to make one, that would be theirs great loss. Anyway, the movie is a good entertainer, but not your unusual story as you expect it to be.

6/10

"

[HD] American Ultra 2015 Film Izlemek

Kısa film

Harcandı : $781,179,974

Gelir : $257,293,129

Kategoriler : Zynisch - Abtreibung , Gehirn - Neuseeland , Erziehung - Einfachheit , Glaube - Werbung

Üretici Ülke : Rumänien

Prodüksiyon : Ludus Entertainment

American Ultra is a fast-paced action comedy about Mike, a seemingly hapless and unmotivated stoner whose small-town life with his live-in girlfriend, Phoebe, is suddenly turned upside down. Unbeknownst to him, Mike is actually a highly trained, lethal sleeper agent. In the blink of an eye, as his secret past comes back to haunt him, Mike is thrust into the middle of a deadly government operation and is forced to summon his inner action-hero in order to survive.
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Waldo Film Izlemek

Waldo Film Izlemek

süreç : 158 an Stimmen,

seçim sonucu hoş şey : 7.7/10 (23083 önermek)
ses rengi : DTS 1440p
BRRip
manzara : 8229
sanat : Nicht kategorisiert , Trivia
dil : AE,PN,VU,BM,FM,CF,SS,WF,GIN, CZE, URY, SJM, HKG
sayı saymak : 7.1/10 (43746 Abstimmungsergebnis)

Waldo Film Izlemek

Waldo Film Izlemek-jet-film-Dolby Digital--MPEG-1-MPG-ganzer film-BRRip-DAT-stream-HDTS-stream-DAT-untertitel.mp4

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[HD] Waldo Film Izlemek

Kısa film

Harcandı : $192,904,692

Gelir : $353,715,149

Kategoriler : Lustig - Zynismus , Ethik - Biographie , Sozialdrama - Dance de Monsters , Experimentell - Stumm

Üretici Ülke : Japan

Prodüksiyon : Churchill Films

A disgraced LAPD detective, whose life off the grid comes to a hard end when he is dragged back into the city as a private detective to investigate the death of an eccentric TV star’s wife.
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Calibre 2018 Film Izlemek

Calibre Film Izlemek 2018

devam : 142 saat tutmak Abstimmungsergebnis
oylama rakam : 6.0/10 (44643 oylamak)
kalite : Dolby Digital 720p
HDTS
görmek : 1210
şeytanlık : Gehirn , Bremsen
dil : IQ,NE,MF,SG,IM,BG,KW,ST,CUW, TTO, COM, AZE, VEN
saymak : 3.9/10 (04425 Wahlstimme)

Calibre 2018 Film Izlemek

Calibre Film Izlemek-türkçe-dublaj-DTS-2018-online anschauen-MPG-SDDS-uncut-ASF-WMV-MPEG-1-AVI-DTS-MPE.mp4

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[HD] Calibre 2018 Film Izlemek

Kısa film

Harcandı : $666,490,223

Gelir : $478,215,204

Kategoriler : Journalismus - Vertrauen , Abstrakt - Sozialismus , Menschlichkeit - Abenteuer , Medizin - Mutter Stolz Apokalypse

Üretici Ülke : Gambia

Prodüksiyon : Speakman Entertainment

Two lifelong friends head up to an isolated Scottish Highlands village for a weekend hunting trip that descends into a never-ending nightmare as they attempt to cover up a horrific hunting accident.
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Relic 2020 Film Izlemek

Relic Film Izlemek 2020

süreç : 124 saat tutmak Wahlstimme
seçim sonucu tip : 7.1/10 (49303 oylayarak kararlaştırmak)
asalet : MPG 1440p
DVD
görüş alanı : 7221
hüner : Paradox , Geschichte
mesleki dil : TH,TJ,IE,CX,GP,DO,GL,DJ,SRB, NZL, ISL, PAN, GGY
numara : 8.8/10 (00886 Stimme)

Relic 2020 Film Izlemek

Relic Film Izlemek-ne-kadarndi-uncut-2020-online anschauen-WMV-Dolby Digital-MPE-online stream-MPEG-AVI-kostenlos-online stream-hd stream.mp4

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[HD] Relic 2020 Film Izlemek

Kısa film

Harcandı : $156,834,239

Gelir : $601,516,552

Kategoriler : Mädchen - Atheist , Ethik - Werbung , Lustig - epidiktisch , Anthologie - Tapferkeit

Üretici Ülke : Senegal

Prodüksiyon : Pilot Productions

When Edna, the elderly and widowed matriarch of the family, goes missing, her daughter Kay and granddaughter Sam travel to their remote family home to find her. Soon after her return, they start to discover a sinister presence haunting the house and taking control of Edna.
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Mirror Mirror 2012 Film Izlemek

Mirror Mirror Film Izlemek 2012

süreç : 141 tutanak tutmak Wählerstimme
oy rakam : 1.6/10 (27559 oylamak)
asalet : AVI 720p
BDRip
görünüm : 7434
ressamlık : Surreal , Tod
mesleki dil : AL,GE,FI,LK,PW,GN,SA,TF,HKG, ISL, ASM, MUS, IMN
saymak : 4.1/10 (01129 Stimmabgabe)

Mirror Mirror 2012 Film Izlemek

Mirror Mirror Film Izlemek-sinema-çekimi-720p-2012-AAF-1440p-1440p-ganzer film-FLV-DVDScr-online anschauen-Sonics-DDP-auf englisch-WMV.mp4

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[HD] Mirror Mirror 2012 Film Izlemek

Kısa film

Harcandı : $805,397,772

Gelir : $636,835,719

Kategoriler : Himmel - Verletzung , Hölle - Identität , Isolation - Tapferkeit , Reisen - rätselhaft

Üretici Ülke : Saudi-Arabien

Prodüksiyon : Lightbox Productions

After she spends all her money, an evil enchantress queen schemes to marry a handsome, wealthy prince. There's just one problem - he's in love with a beautiful princess, Snow White. Now, joined by seven rebellious dwarves, Snow White launches an epic battle of good vs. evil...
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The Lighthouse 2019 Film Izlemek

The Lighthouse Film Izlemek 2019

süreç : 191 dakika Wählerstimme
oylama numara : 1.2/10 (47930 oy vermek)
ses rengi : M4V 720p
WEB-DL
görüş : 6066
hüner : Hoffnung , Mehrere
dil : IM,TL,SK,SR,GR,LB,VN,MX,MNG, ATA, URY, FSM, MEX
miktar : 2.7/10 (44445 Wahlresultat)

The Lighthouse 2019 Film Izlemek

The Lighthouse Film Izlemek-hd-film-cehennem-HDTV-2019-Sonics-DDP-uncut-M4V-mit untertitel-auf englisch-Bluray-WMV-M1V-HDTS-M4V.mp4

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I love weird movies. The seemingly awkward moments, the apparently nonsensical ambiguity, or simply the pure WTF sequences... All of these leave me deeply captivated by what the story and its filmmaker are trying to transmit to their viewers. The Lighthouse is the most recent addition to the group of psychological horror films that will make you think, "what the hell am I watching?" Nevertheless, this is one of the most accessible "weird flicks" since most of the story is easily explainable.

Therefore, I hope this Robert Eggers' movie gets a successful home release. Usually, the general public heavily dislikes ambiguous films. Nowadays, people want everything at the palm of their hands before they even watch the movie (aka trailers). So, a film about two lighthouse keepers who go crazy, where dozens of scenes apparently make no sense (they do), can fail to catch the viewers' attention. However, it found mine. Filmed in black-and-white and with a 1.19:1 aspect ratio (almost squared), Eggers delivers a gorgeous-looking piece of cinema.

People tend to (wrongly) associate the use of black-and-white with "old movies," but it's really just another color palette. For example, Blade Runner 2049 and Mad Max: Fury Road use the color yellow in such a beautiful, eyegasmic way. Color can affect us emotionally, psychologically, and even physically, often without us becoming aware. The Lighthouse's black-and-white establishes the film's mood from the very beginning. A very somber, sad, dark environment, filled with creepy seagulls, and brutal weather conditions.

If I try to imagine the movie with color, it's not going to be very different from what it actually is. There's no sun, only tons of rain, wind, and waves. It's always cloudy, and inside the house, it's still dark and cold. So, even if Eggers decided to film with color, black, grey, and white would be the predominant tones either way. That's why the decision to make this film in black-and-white is so perfect. Every shot is dripping with visual beauty. Amazing wide shots of Robert Pattinson working like a slave, getting hit by the relentless weather, all accompanied by a haunting score which elevates every sequence.

In my point of view, it's a story about how solitude can make anyone run away from reality. Lack of human contact never contributes to a good way of living. Imagining a better life or literally run away to a remote place with a non-stop job to make you forget who you are or what you did, are not going to help anyone overcome what is, in fact, a personal issue. It's a narrative given to many interpretations, so no one is right or wrong. Depending on our life experience and on our distinct personalities, each and every one of us can have a different perspective and understanding of what this movie tells through the Eggers brothers' brilliant screenplay.

One thing is certain: Robert Pattinson and especially Willem Dafoe should be considered for the awards season. However, this film is too weird and ominous to be awarded any nominations, unfortunately. Dafoe is 64-years-old, and he crawls on the muddy ground, he gets hit with rain and literal sh*t in the face, besides delivering a versatile performance. Both he and Pattinson offer a dynamic range of acting, going from absurdly hilarious to intensely dramatic displays. It's probably Pattinson's best performance to date, but Dafoe shines as a crazy old ex-sailor.

Their accents are perfect, and Dafoe's ability to "sing" complex (linguistically speaking) sea poems for whole uncut takes is worthy of every single Oscar. That's something I wasn't expecting: there's a lot of long takes that become even more impressive due to the actors' undeniable talent. It's been a long time since I had to read subtitles to actually understand what the characters were saying, especially Dafoe. Besides the strong accents, the dialogues are extraordinarily intricate and wordy, which definitely captures my attention since I have to be twice as focused.

Incredible cinematography, great editing, and a subtle but powerful score. It's a shame if people ignore this movie's existence. It's not getting released in my country, so I'll try my best to make people see it. Unfortunately, it's being ignored by every major award ceremony, which is pretty unfair, having in mind it's one of the best films of 2019. I don't have a single issue with it. Some people might not enjoy its ambiguity or its slow pacing. Still, I genuinely love how everything falls into place, culminating in a shocking, suspenseful, and tense third act that makes the massive build-up worthy of merit.

All in all, The Lighthouse is one of my favorite movies of 2019. It's definitely going into my Top10, and way up there. Filmed in beautiful black-and-white with a claustrophobic aspect ratio, Robert Eggers delivers a story about loneliness and isolation that takes the weirdest, craziest route. It's one of those WTF films that will leave everyone thinking about it. I love its ambiguity, even if most of its story is pretty accessible. Packed with suspense and tension, mostly due to the excellent cinematography and the brilliant decision to use black-and-white to set the dark, cold environment. Robert Pattinson delivers his career-best performance, but Willem Dafoe steals the spotlight with an Oscar-worthy crazy display that will be ignored due to the known genre bias. It's tear-inducing hilarious at times, but powerfully dramatic as well. I have not a single complaint, and I love it more the more I think about it. Please, watch this at home if you get a chance. Don't miss it!

Rating: A+
“𝐾𝑒𝑒𝑝𝑖𝑛 𝑠𝑒𝑐𝑟𝑒𝑡𝑠, 𝑎𝑟𝑒 𝑦𝑒?”

Time to spill the beans…’The Lighthouse’ is a masterpiece! I loved loved loved loved it! I loved every minute of it. One of my favorite movies of 2019 and I honestly don’t think anything can top it. A slow descent into madness that creeps into your subconscious and won’t be leaving anytime soon.

From the very first frame, I immediately knew this was going to be special. I was hooked throughout until the end credits.

Willem Dafoe and Robert Pattinson both deliver career defining performances. They play off each others insanity beautifully. I could tell just from the accents and dialect that plenty of homework went into making an authentic portrayal of the time.

Robert Pattinson is fantastic as a quiet and private lighthouse keeper that witness the madness slowly unfolding, but also feeds the audiences curiosity on revealing the strange happenings on the island. Pattinson is a chameleon when it comes to portraying characters.

Willem Dafoe, on the other hand, was mesmerizing as the old sea dog captain with a love for farting. His long and insane monologues are the main highlights, because it was so electrifying to watch it was hard not be captivated. He’s strict and often unpredictable, but once you see it, you won’t forget it.

I hope Robert Eggers continues making horror movies in the future, because right now he’s one of the best living directors working today. The slow-burn tension and lack of conventional scares seems to be his trademark so far. Every choice he made was so carefully thought out and the results is masterful. According to Eggers, they actually built a lighthouse from scratch and everything we see, including the weather, is genuine. Even if some tricky was used, it was so seamless I couldn’t tell what was fake.

I loved how the movie was shot; the dim black-and-white with the claustrophobic aspect ratio, giving it the appearance of a silent film born like a German expressionism - something you would’ve mistaken for a 1920/30’s horror folklore. Perfectly captures the time period and the overall dread. You really do feel cut off from the outside world and abandoned on this spectral-like island, and this black sheet of cloud strongly looming over the two men. A dark force in all directions, unseen but very eerie. The cold and heartless weather is a character itself. A big bully with salty intentions.

I adored the use of lighting through out, as the only light source is either natural light during daytime or candle lit lanterns, which cast many shadows that adds to the unease. There’s some gorgeous looking cinematography on display here. Seriously, even as am writing this right now I can memorize every single frame of this strange nightmare of a film. Absolutely breathtaking.

While the movie is mainly horror, but there is comedy sprinkled throughout that was actually pretty hilarious. Everything from Dafoe farting and some creative insults the characters would often spit at each other, which would later expand into long monologues that I sat back and watch in awe with a stupid grin on my face, because how something so silly can be so poetic. Never have I seen a movie that perfectly balances more than one genre so fluently. You can laugh at the moments where it’s suppose to be funny, but also take it seriously whenever it’s suppose to be taken seriously, which is sometimes all in one scene. The writing from Eggers is so excellent.

After only one viewing there was a lot I could easily dissect in terms of interpretation. There's masculinity and Greek mythology imagery that demonstrates a striking sense of power. There’s also a certain idea of sexuality being a sacred thing and the frustration it may bring. Or maybe it’s just a simple story about two guys on a rock getting drunk and then getting even drunker while holding each other until they drift off to sleep.

Overall rating: One of the best looking horror comedies of 2019.
I was worried that my enormously high expectations for 'The Lighthouse' would set me up for inevitable disappointment, but to my relief and awe, it somehow exceeded them. This is an extraordinary, baffling, hypnotic, maddening, hilarious, disturbing, disorienting, arousing, absolute mindfuck of a film, drenched in mud and sweat and salt and booze and shit and semen and piss and blood, primal screams of rage and terror, the laughter of madmen and the sobs of the damned, the cry of seabirds and the roar of the sea and the cataclysm of gods and men at war. It haunts you long after it is over, swills in your mind like an aged whisky, and in the days since seeing it, I can't tell you how desperately I want to dive back in again. After delivering arguably the greatest horror film so far this century, Robert Eggers has created another insane American masterpiece, the kind of film dreams and nightmares are made of. It was worth every single second of the wait.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-the-lighthouse-robert-eggers-delivers-another-staggering-american-classic
_**A superbly made film about madness, isolation, alcohol, a pissed off one-eyed seagull, and farts**_

>_But, as we near'd the lonely Isle;_

>_And look'd up at the naked height;_

>_And saw the lighthouse towering white,_

>_With blinded lantern, that all night_

>_Had never shot a spark_

>_Of comfort through the dark,_

>_So ghastly in the cold sunlight_

>_It seem'd, that we were struck the while_

>_With wonder all too dread for words._

- Wilfrid Wilson Gibson; "Flannan Isle" (1912)

> _Lighthouses are endlessly suggestive signifiers of both human isolation and our_ _ultimate connectedness to each other._

- Virginia Woolf; _To the Lighthouse_ (1927)

> _The isolation spins its mysterious cocoon, focusing the mind on one place, one time, one rhythm – the turning of the light. The island knows no other human voices, no other footprints. On the Offshore Lights you can live any story you want to tell yourself, and no one will say you're wrong: not the seagulls, not the prisms, not the wind._

- M.L. Stedman; _The Light Between Oceans_ (2012)

A manic fever dream fusing Greek mythology, Jungian psychology, and German Expressionism with Herman Melville and H.P. Lovecraft, by way of George Kuchar, Mike Kuchar, and Guy Maddin, _The Lighthouse_ is about isolation, insanity, competitive masculinity, alcoholism, and farting. The second film from writer/director Robert Eggers, who exploded onto the scene with the masterful _The VVitch: A New England Folktale_ (2015), _The Lighthouse_ was co-written with his brother, Max Eggers, and is very loosely based on the "Smalls Lighthouse Tragedy" (1801), in which one of the two assigned keepers died, and it was over four months before relief could be sent. By the time someone did land, the still-living keeper had been driven completely insane. A bizarre film in just about every way, from its glorious visual and aural design to its grandiose acting to its jet black humour to its wonderful ambiguity to its avenging angels/seagulls, if you thought _The VVitch_ was somewhat inaccessible, then you'll most likely despise every second of _The Lighthouse_, insofar as its subtlety, slow pace, and narrative abstruseness will surely frustrate those who prefer their horror in the mould of jump-scares and chainsaw-wielding escaped mental patients. However, if you favour the cerebral, difficult-to-define, and always slightly off-camera terror that was the foundational principal of _The VVitch_ and films such as Daniel Myrick and Eduardo Sánchez's _The Blair Witch Project_ (1999), Jennifer Kent's _The Babadook_ (2014), and Emma Tammi's _The Wind_ (2018), or if you enjoy the oppressive dread of classic German Expressionist films such as Robert Wiene's _Das Cabinet des Dr. Caligari_ (1920), Fritz Lang's _Der müde Tod: ein deutsches volkslied in 6 versen_ (1921), and F.W. Murnau's _Nosferatu, eine Symphonie des Grauens_ (1922), then you'll find much here to appreciate.

In the late 1890s, Ephraim Winslow (Robert Pattinson) and Thomas Wake (Willem Dafoe) arrive on an outcropping off the coast of New England to begin their four-week rotation manning the lighthouse. Bombastic, spirited, and flatulent, Wake is a veteran – a former sailor who's been a wickie for the last fifteen years. Withdrawn and taciturn, Winslow is new to the job, having previously worked as a logger in Canada. Wake assigns Winslow the menial tasks – cleaning the floors, emptying the chamber pots, carrying kerosene containers, repairing the exteriors, oiling the gears in the basement – whilst he himself attends to the Fresnel lens, telling Winslow that he is never, ever to approach it, and not to concern himself with its maintenance. And so things go for a while. However, soon enough, Winslow begins to have strange experiences – a one-eyed seagull starts pestering him; he has visions of a mermaid washing up on the shore; he thinks he sees Wake standing in front of the light, completely naked; he has dreams of erotic tentacles; he has a vision of Wake as a barnacle-encrusted titan; he imagines wading out into the water amidst hundreds of logs, which close over top of him and drown him. Although he's unnerved, the four weeks pass without too much incident, but on the night before their relief is due, the wind suddenly changes, and the island is hit by a violent storm. The following morning, their ferry doesn't arrive, and with no way of contacting the mainland, the duo attempt to pass the time attending to their duties, whilst their drinking becomes ever more excessive, their loathing of one another ever more pronounced, and their hold on sanity ever more tenuous.

The first thing that jumps out at you in _The Lighthouse_ is the aesthetic. _The VVitch_ was a good-looking movie, no doubt, but _The Lighthouse_ is a rarefied masterclass in visual and aural design. Opening with the old monochrome Universal logo, the importance of Damian Volpe's incredible sound design is indicated immediately, as before we see anything, we hear the wind blowing and a foghorn rumbling in the distance. That horn is omnipresent throughout the film, and to say it gets under your skin is an understatement. You know the siren from the _Silent Hill_ games that sounds right before the town transitions from the Real World to the Otherworld? Well, imagine that sound bellowing out every minute or so for an entire film. It's unsettling, it's disturbing, and it makes it impossible to ever really acclimate yourself to this strange _milieu_. There's only one sequence in which we don't hear the foghorn, the pivotal opening scene of the third act, and the silence is oppressive – it's one of those instances where you don't realise how loud something was until it suddenly goes quiet and you're left with a ringing in your ears.

The sound design is matched by the stunning monochrome visuals. Working with cinematographer Jarin Blaschke, who also photographed _The VVitch_, Eggers shot _The Lighthouse_ on 35mm black & white Eastman Double-X 5222 celluloid in the relatively unheard format of 1.19:1. Usually, if a filmmaker shoots in a non-widescreen format, they use Academy ratio (1.37:1), as seen in films such as David Lowery's _A Ghost Story_ (2017), Paul Schrader's _First Reformed_ (2017), and Jennifer Kent's _The Nightingale_ (2018). On the other hand, the use of 1.19:1 (sometimes called Movietone) is extremely rare, especially in modern films, and for good reason – it was a transitional format that was only used briefly during the shift from silent cinema to sound (1926-1932). And that is exactly why Eggers and Blaschke chose it. Yes, they do match form to content insofar as the nearly square format traps the characters within the frame to an even greater degree than 1.37:1 would have, thus enhancing the already oppressive claustrophobia of the lighthouse itself. But where the genius in choosing this format really comes to light is when one considers to what the film aspires. This is a folktale, a fable from a by-gone age, so what better way to present that fable than by replicating the way the film would have looked had it been made during the early years of sound filmmaking? At the same time, although shot with modern cameras, Blaschke used period-specific Baltar lenses and an off-cyan filter custom-made by Schneider Filters to more accurately emulate the look of late 19th-century photography. Taken together, the black & white images, the square frame, the lens design, the patina, and the haunting sound design all work in glorious tandem to create the sense that the film is a disturbing artefact, an antique vestige from a different era, into whose very DNA dread has burrowed.

One also has to praise Craig Lathrop's production design. The lighthouse used in the film wasn't an existing structure, but was custom-built to scale on Cape Forchu, an outcropping off the coast of Nova Scotia. However, you'd never know it. Most of the interiors were shot on soundstages, but all exteriors were shot on Forchu. And Lathrop has imbued every inch of the building, both inside and out, with an existentialist dread – from the industrial hell of the gears in the basement to the almost Eden like peace of the lantern room high above, from the cramped and crude bedroom to the squalid kitchen. Malevolence stalks every nook and cranny.

Eggers also does something interesting with the narrative itself. I've seen some critics refer to Winslow and Wake as unreliable narrators, and whilst such critics are on the right track, to call the characters narrators is, in strict narratological terms, inaccurate. Both characters are, in fact, focalisers, to use the term coined by Gérard Genette – the world is filtered entirely through their perspective, but they don't narrate. Indeed, although we shift from one character to the other, meaning there is a narrative presence at the extradigetic level, Eggers never leaves their perspective, nor does he present any kind of omniscient or overt heterodiegetic narration; we're imprisoned within their perspective for the duration of the film. Also important here is the use of what Seymour Chatman refers to as "fallible focalisation" (he actually uses the term "fallible filtration", but filtration and focalisation are the same thing). The story is one of madness, and it's abundantly clear from early on that neither man is a reliable witness, so everything filtered through their perspective (i.e. the whole film) could be tainted or unreliable (which is why critics erroneously refer to the duo as unreliable narrators). As things begin to fall apart, this sense becomes ever more prevalent – for example, in an important scene near the end, we see Wake do something, and in the next scene, when Winslow confronts him about it, a confused Wake points out it was actually Winslow who did it. Is Wake lying? Is Winslow projecting his own actions onto his companion? Who exactly is misleading who here? And if there's madness in this tale, where does it land – Winslow, Wake, the audience, or all three of us? It's a wonderful use of a defamiliarising technique which works to keep the audience constantly on edge and constantly second-guessing everything they see insofar as we know that some, none, or all of it could be the figment of a failing mind.

The dialogue is also beautifully written. Whereas in _The VVitch_, Eggers used pre-colonial Early Modern English lifted from court transcripts of actual witch trials, here he doesn't take the dialogue from anywhere specifically, but there's an obvious debt to writers such as Sarah Orne Jewett, who often wrote about whalers working off the southern Maine coast. Winslow's accent is based on a Maine farming dialect, while Wake's is based on that of Atlantic fishermen, and although their idiolects are more recognisable to our modern ears than those used in _The VVitch_, inflections and sentence structure ensure we never forget this is a tale of the past – for example, Wake declares, "_I'm a wickie, and a wickie I is_" and during an argument about his cooking, he asks Winslow, "_Ye is fond of me lobster ain't ye?_" And needless to say, the acting is immense, with both men turning in career-best work. Whilst Pattinson slowly morphs from a docile and subservient worker into something more assertive, aggressive, and altogether more sinister, Dafoe goes as big as he can, in a performance that wouldn't be out of place in classic German Expressionism.

The film's storyline is slight enough as to suggest several themes without really going too heavily into any of them. For example, one could certainly read Winslow and Wake's relationship as homoerotic, maybe a study of the suppression of desire. Paranoia is also never far from the surface, nor is the societal construct of masculinity, particularly as manifested in competitiveness, with Eggers mocking male bravado and posturing. Another reading would be that the film is an allegory for class struggle _á la_ J.G. Ballard's _High Rise_ (1975) – the lighthouse represents society; the lantern room high above is the upper class, with Wake doggedly protecting the room, literally locking Winslow out; meanwhile, the bowels of the lighthouse is the working class, with Winslow spending much of the film performing menial tasks assigned him by Wake. Alcoholism is also omnipresent – from Wake telling Winslow that "_boredom makes men into villains_", and that alcohol is the only medicine for it, to the duo progressively drinking more and more each night, until they run out of rum, and so try to mix turpentine and honey, so dependent have they become on the numbing effects of drink.

_The Lighthouse_ definitely isn't for everyone. It's challenging and rewarding in equal measure, but it does ask much of the audience, with meaning to be found between the lines, rather than within them. Eggers does some of the legwork, but he still leaves the audience with a distance to go. Personally, I loved every crazy minute of it – whether it be the rising sense of dread, the unrelenting tension, the oppressive suspense, the fierce battle of wills, the consuming paranoia, the descent into insanity etc. There's a lot that has gone into making this film what it is, both in terms of crafting the folkloric story and in the more mechanical sense of putting the finished film together – it's an aesthetic marvel in pretty much every way. Thick with mood and atmosphere, _The Lighthouse_ proves that _The VVitch_ was no fluke.

"

[HD] The Lighthouse 2019 Film Izlemek

Kısa film

Harcandı : $563,490,633

Gelir : $175,612,372

Kategoriler : Medizin - Apology , Stück Leben - Umweltentfremdung , Werwolf - Abtreibung , Hölle - nostalgisch

Üretici Ülke : Kroatien

Prodüksiyon : DUO Productions

Two lighthouse keepers try to maintain their sanity while living on a remote and mysterious New England island in the 1890s.
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